A Quote by Monica Ali

Character is always my driving force. And to tell a good story and to provide an entertaining read. — © Monica Ali
Character is always my driving force. And to tell a good story and to provide an entertaining read.
I think good art should always be entertaining, or at least give pleasure of some sort. And my chief goal as a writer has always been to tell a good story and give my readers a good time.
That's always my ambition is to create a character out of what will help tell the story. I've never been an actor to say my character wouldn't do that, because he should do that in order to help tell the story.
Joe and I always say that our guide through action is always story and character. We're always driving right at the character beats, or else the action beat doesn't work.
My only want and wish, really, was to tell a good story. I wanted to do good work, tell a good story, and give the character a voice. Those were my only expectations.
You set out to tell a good story. You don't do it because there is a deep message involved, because the movie is almost always bad when you do that. Your job No. 1 is for it to be entertaining, and if it's inspiring, that is great, too.
My family were great story-tellers. My mum was one of 12 and they were all fighting to tell stories. You have to tell a good tale or no one is going to listen. You have to make it entertaining and interesting. That's how I learned to tell stories.
I don't tell a story unless I have a very deep bench. If you tell an idiosyncratic story, there's no resonance. People read it and say, "I don't see anyone like that." So I tell a story only when I have many stories behind it.
Original, pacy, and hugely entertaining-Seanan McGuire knows how to tell a good story!
A good story isn't preachy; a good story is always entertaining.
When I read a script, the important thing is that I can connect in some way with that character and have some idea from what his story is that I can tell that story too, because that's all acting is, is storytelling.
The whole Haley-Nathan marriage deal was a pretty good twist huh? I hope we got all of you with it. That particular story line even suprised me when I read it, it's a good one and it'll provide for some good stories to come.
The job's always the same. It involves helping to tell the story and creating an alloy between character and story that serves the film.
The inspiration really comes first from the character and the story. That vision of what the story is, and what the character is, the world that they inhabit and what the story wants to tell. That's really what inspires me.
At the end of the day, the job is to tell the story that you promised to tell and do it in the most entertaining and perhaps surprising way you can think of.
It's hard to tell if anyone's interested in reading a serialized story. But it's interesting to put in a cliffhanger each week. That was popular in old comic strips. They'd write a weekend story different from the daily strip. So people follow one story day to day, and a separate story on weekends. If you read them, you think "I'll read two more." Then you're like "I gotta find out!" And you read 500 more.
All we have is the story we tell. Everything we do, every decision we make, our strength, weakness, motivation, history, and character-what we believe-none of it is real; it's all part of the story we tell. But here's the thing: it's our goddamned story!
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