A Quote by Monica Bellucci

When I have to go to Cannes, that is boring to me. — © Monica Bellucci
When I have to go to Cannes, that is boring to me.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
When you go to Cannes, people are there to fight, to scream - like football, the World Cup. Once I was working on a movie, and then when I went to Cannes, I went there to whistle at all the other movies in competition. You go to help your friends and fight with your friends' enemies.
Once a film is selected at Cannes, the crossover becomes very easy, thanks to the prestige and dignity it gains at Cannes.
I watch the Cannes awards ceremony because I relate more to the films that are competing in Cannes than the ones competing for the Oscars.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
You hear people saying, 'Oh I'm so tired, I've had enough of Cannes.' How can you have enough of Cannes? It's just the best place to be, like a fairytale.
Everybody said that a film that funny can't win because normally your Cannes winner will be something more serious. It's not very often that a film that's bordering on comedy has won in Cannes.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
There are so many distractions you can face as a woman, either with relationships or worrying about, Should I go to this party? or, Should I be doing this to help me get ahead? All [success] is, is doing your work and staying focused. It's boring advice, but boring good advice is what you can get from me!
Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned eighteen. She had her prom at Cannes.
I always go to the Cannes Film Festival and it's just such a glamorous time.
I'm not a fancy person. I love small spaces. I like tiny cars. I don't buy things, aside from music and books. I don't get loads of attention and maybe it's because I'm kind of boring. I don't think I'm boring, but I have different interests. I don't go out much, not because I'm hiding but because I'm not a big drinker. I go out and have a good time, I go to concerts and stuff.
He's gonna try and stand back, mess me about a bit, be cagey and hold on the inside and make it one of them fights that are boring. I don't wanna make a boring fight. I don't like to be involved in boring fights!
I know what I'm the best at. But I still want to do something different because it's fun for me. Even though I'm really good at something, it's boring for me to do the same thing every time and it'll be boring for people who are listening to me.
I've been to Cannes 15 or 16 times, and every time I go, there's a kind of soul-stirring feeling.
Everybody talking about being afraid of being boring is boring. You have to go for the real substance of life after awhile.
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