A Quote by Monica Bellucci

I like when I have to act and direct; then, when you have to dub, you're by yourself in front of the wall, and I'm always scared that you're not good like when you are in real when you act.
There's just something about being on stage and being with the people that, once that camera turns on, you find the strength to keep it cool, look good, act like you're not cold, act like you ain't nervous, act like you aren't scared. I think that comes with confidence and practice.
Your body can dictate your mind, so when I walk to a fight a lot of times I'm scared, I'm scared to death, I have a lot of doubts of myself, I'm afraid to fail, I'm afraid to be humiliated in front of everybody; but what happens, I act like it's impossible for me to fail and that my victory is a certainty. So as I'm walking to the Octagon and I act with confidence my body takes over my mind and I become confident for real. As I'm walking I see the change in my mind and when I reach the Octagon I'm a different person, I'm very confident.
After directing 'Sanam Re,' I was contemplating what to do - direct or act. I got really good opportunities of direction but I felt that if I have to act then I should do it now.
I always say that I love magic but I hate magicians. I like being fooled. If you wave your hands in front of my face and I think you're doing a trick, I'm easily impressed. If you pull a quarter out of my ear, I'm quite certain you're a wizard. But I don't like the way most magicians don't act like they're magical; they act like show business dicks.
I do not think direct experience is always necessary to act, but I believe that sometimes you have to have had the real experience to act certain roles. One of those was losing your family member. I was not being able to imagine how sad that could be.
When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
If I'm winning, I have to act like I'm not bored. If it's A tough match, I have to act like I'm having A good time. I'm a drama queen.
I don't like showing the technique. I don't like people who say, "Here, I'm going to act, but first I have to bounce off this wall." If you have to bounce off the wall, do it by yourself. Don't feature the technique. My old drama coach used to say, "Don't just do something, stand there." Gary Cooper wasn't afraid to do nothing.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
I enjoy storytelling. I like to write it, I like to direct it, I like to act in it, I like to produce it. I like to be around storytellers. That's what excites me.
Never act like you want it, darlin'. Act like you wouldn't own it if they paid you. Tell them it's dirty, broken...a useless thing. Then make an offer.
They didn't act like people and they didn't act like actors. It's hard to explain. They acted more like they knew they were celebrities and all. I mean they were good, but they were too good.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
We're not like a nostalgia act, or the normal classic rock act - we're a really good musical organization, ... You're going to hear some blues, some jazz, a little of everything. The guys in the band are great musicians. When we play, we're there for real. It's not about posing, strutting in tights, that kind of stuff. It's all about music, and I've always respected my audience that way.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
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