A Quote by Monica Bellucci
When someone is suffering, you have to see this in the body and the face. I say all the time that actors use their bodies like objects of war.
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For us, time travel is synonymous for the belief in all the things that are not seen, and also for the most outlandish claim that you could possibly make. To say that you're a time traveler is weirder than saying you're an alien. It's really strange to sit down in a basement and be face-to-face with someone who claims to be a real time traveler. So, for us, it was about the nuts and bolts of what it would be like, if you were face-to-face with someone who claimed to be from the future.
In the face of suffering, one has no right to turn away, not to see. In the face of injustice, one may not look the other way. When someone suffers, and it is not you, that person comes first. One's very suffering gives one priority. . . . To watch over one who grieves is a more urgent duty than to think of God.
My favorite emoji is definitely the sad face, like the 'See, I'm sorry' sad face, which I use all the time... Or the monkey face, where he's covering his eyes.
It is the obvious which is so difficult to see most of the time. People say 'It's as plain as the nose on your face.' But how much of the nose on your face can you see, unless someone holds a mirror up to you?
If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot.
It seems like the world is so fast to move its interest to someone else. When I think about filmmakers and actresses that I have admired my whole life, I've admired their entire body of work. I have admired what they began with and what they're doing now. And now I feel like there's such a weird pressure to find the new face. I don't get it at all. I want to see women evolve. I want to see a body of work. I want to see all of it.
The elder who is eliminating what time has done to the face, what life has done to the face, is making a statement for others to see: This is the way to be a good old person - it is to defeat this body that is doing things to you. Because you haven't changed. Your body's changing.
I use Simple face wipes and Nivea face cream. For my body any kind of body butter, the more moisturising the better.
The world is full of suffering. Birth is suffering, decre- pitude is suffering, sickness and death are sufferings. To face a man of hatred is suffering, to be separated from a beloved one is suffering, to be vainly struggling to satisfy one's needs is suffering. In fact, life that is not free from desire and passion is always involved with suffering.
The physical body is an agent of the spirit and its mirror. It is an engine and a reflection of the spirit. It is the spirit's ingenious memorandum to itself and the spirit sees itself in my body, just as I see my own face in a looking glass. My nerves reflect this. The earth is literally a mirror of thoughts. Objects themselves are embodied thoughts. Death is the dark backing that a mirror needs if we are to see anything.
When you talk about objects, one other thing automatically comes attached to that thing, and that is gestures: how we manipulate these objects, how we use these objects in everyday life. We use gestures not only to interact with these objects, but we also use them to interact with each other.
Actors only have our bodies, voices, and the text. So I think actors need to have a fit and in-tune body. I was always very disciplined in wanting to have that. Thats one of my favorite things - playing a role with a physical requirement.
I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.
It is painful to see someone suffering what you must be suffering- watching someone you love be so cruelly hurt.
Ultimately, I don't really want to see the media portraying curvier and fatter bodies being the norm, I want to see a variety of bodies of all shapes, sizes, colors, and orientations, all of the time just like we do in reality.
[O]ur own bodies are changing every second. Yet we take the body to be our Self; and, speaking in terms of it, we say, “I am hungry” or “I am lame”; “I am black” or “I am white.” These are all just the conditions of the body. We touch the truth when we say, “My body aches,” implying the body belongs to us and that therefore we are not that. (87)
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