A Quote by Monica Furlong
If envy was not such a tearing thing to feel it would be the most comic of sins. It is usually, if not always, based on a complete misunderstanding of another person's situation.
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The urge to distribute wealth equally, and still more the belief that it can be brought about by political action, is the most dangerous of all popular emotions. It is the legitimation of envy, of all the deadly sins the one which a stable society based on consensus should fear the most. The monster state is a source of many evils; but it is, above all, an engine of envy.
My first experiences with fashion were dressing up. It was always about fantasy for me. Dressing up as characters . . . I always thought that's what clothes were - that they would make you into the person you wanted to be. I'm an actress, so I love to act, and I think that's one of the most important things - the thing that makes you feel like another person.
My stand-up has always been very character-based. I'm not really the kind of person that's like, 'Hey, here's what's on my mind! Tip your waitress!' I would create the jokes based on the character I was playing. It was always a performance-based thing for me.
We have nearly complete misunderstanding between people of different faiths in Lake Wobegon, and that's probably one reason why we get along so very well. It's when you are trying to convince another person to think the same way that you do that there is friction and trouble between people. But when you feel that the other person is dumber than dirt, too dumb for words - why waste your breath - you get along pretty well. There's no bond between people that's quite so strong as when people each feel slightly superior towards the other one.
In most cases, strengths and weaknesses are two sides of the same coin. A strength in one situation is a weakness in another, yet often the person can't switch gears. It's a very subtle thing to talk about strengths and weaknesses because almost always they're the same thing.
For me, the saddest thing in the world is always lost potential. That is always the most heartbreaking thing, when there's something left to be mined from a situation or a person that goes unexplored; that's a tragedy to me.
Almost any tale of our doings is comic. We are bottomlessly comic to each other. Even the most adored and beloved person is comic to his lover. The novel is a comic form. Language is a comic form, and makes jokes in its sleep. God, if He existed, would laugh at His creation. Yet it is also the case that life is horrible, without metaphysical sense, wrecked by chance, pain and the close prospect of death. Out of this is born irony, our dangerous and necessary tool.
Envy is the most universal passion. We only pride ourselves on the qualities we possess, or think we possess; but we envy the pretensions we have, and those which we have not, and do not even wish for. We envy the greatest qualities and every trifling advantage. We envy the most ridiculous appearance or affectation of superiority. We envy folly and conceit; nay, we go so far as to envy whatever confers distinction of notoriety, even vice and infamy.
The pleasure in complete domination over another person (or other animate creature) is the very essence of the sadistic drive. Another way of formulating the same thought is to say that the aim of sadism is to transform man into a thing, something animate into something inanimate, since by complete and absolute control the living loses one essential quality of life - freedom.
There's always room to make stuff that is completely morose and downbeat, but we'd probably spiral into a state of complete despair if our music reflected the lyrics all the time. I think that's almost the fun game with some songs, is this complete tearing of two feelings at once.
It would be an error to try to build the Kingdom of Heaven upon envy. For nothing that is founded on envy can thrive; it must have another root.
I think every filmmaker makes different choices. I remember in the early days, in some of the early comic book movies, certain white dissolves were used that would try to emulate the look and feel of comic book panel borders. Sometimes they would frame shots in panels or circles that gave it a real comic book feel.
The most common misunderstanding of disruptive innovations is to overestimate their impact in the short term and underestimate it in the long term. Another common misunderstanding is to associate disruptive with good.
If a person realized that everything people call happiness, love and joy was just a miscalculation based on a false premise, he'd feel a horrible emptiness inside. The only thing that could rouse him from his paralysis would be to gamble with his own face and the face of others. The person capable of that would be permitted anything.
What hurts this person is not the occurrence itself, for another person might not feel oppressed by this situation at all. What is hurting this person is the response he or she has uncritically adopted. It is not a demonstration of kindness or friendship to the people we care about to join them in indulging in wrongheaded, negative feelings.
I don't ever feel a full transition to my character. I don't ever feel like I have left myself, because if I did, I would need professional medical attention. I always have to keep my own wits about me, or I would miss a mark on the floor, or be unable to follow the director's advice from the last take. However, when I'm at my best, I feel like I'm doing an impression of a person I've never met. It feels complete, and yet improvised.
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