A Quote by Monica Johnson
Writers do draw inspiration from their own lives, which, quite frankly, might be more interesting than fiction.
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I wonder if it's in the nature of fiction writers to never quite see their own lives as 'real,' since we are always making stuff up!
We writers of series fiction tend to idealize ourselves in our characters, giving them attributes we wish we possessed and ever more interesting lives.
In the daily lives of most men and women, fear plays a greater part than hope: they are more filled with the thought of the possessions that others may take from them, than of the joy that they might create in their own lives and in the lives with which they come in contact. It is not so that life should be lived.
A muse is something that serves a poet well early in his or her career. In later years one writers out of one's own driven inspiration. One learns to find inspiration rather than waiting for it to come for a visit. I can find inspiration almost anywhere.
The fiction I've written and published is certainly inflected by the work of authors I was reading or translating at the time. One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers. Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one's own.
I think all of us begin as writers. I wanted to be a writer from the time I as eight, long before I heard of jazz. The question is, once you have that obsession, what is your subject going to be and you often don't know for some time. It might become fiction, it might be non-fiction, and if it's non-fiction it can go in any number of directions.
We draw inspiration directly and indirectly from all sorts of things, like movies, documentaries, TV dramas, novels, non-fiction books, animation, science and nature shows, and our own life experiences.
Other people's lives are so much more interesting than one's own.
Fiction writers have their own world, and poets have their own world, and literary criticism has sort of passed over into cultural studies in the university, and so on. They seem more disconnected from each other than they did when I first began to write.
Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution.
Jay-Z isn't actually any better than James Joyce even though more people understand him. I'm more interested in what's meaningful within the lives of individuals. And fiction will always be central to the lives of certain people, which is all that matters.
Often when people are claiming that they are not creative, they mean that they are not artists, writers, athletes, or any other media types demonstrating creativity. Or they know someone who always seems to have a lot of ideas and know that they can't match that. We all have a tendency to idolize those who create what we see in the media. I think it's better to use these people as models rather than idols, especially when these people have aspects of their lives that are similar to us. Then we can take their inspiration as we go on to be creative in our own way in our own lives.
There's a long relationship between science fiction and the 'novel of ideas,' and I think writers of science fiction are able to draw on that tradition to take risks, to constantly raise the level of their ambition.
Historical facts are the vital framework around which non-fiction writers construct their narratives; they are, quite simply, indispensable.
News is almost more interesting to me than other people's fiction, if that makes sense. But other people's fiction in terms of design is still incredibly interesting to me.
Science fiction is essentially a kind of fiction in which people learn more about how to live in the real world, visiting imaginary worlds unlike our own in order to investigate, by way of pleasurable thought-experiments, how things might be done differently.
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