A Quote by Monica Keena
I look really young. I always get carded at bars. No one believes that I'm over 18, let alone over 21.
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I didn't imagine getting to 50, let alone still be playing music. When I was 18, I thought it'd all be over by the time I was 21.
I don't look to jump over 7-foot bars: I look around for 1-foot bars that I can step over.
In Arizona, anyone over 18 can buy an assault rifle, at 21 you can get a pistol, and you can carry your gun, loaded or unloaded, concealed or openly, just about anywhere.
Young women look at me and think, 'She's really confident. She has always had it figured out,' but actually, I really, really haven't. That has come over time as I became a young woman.
Shane was silent a moment, then let out a long breath. "I bet I could convince you if I could get through these bars. . . ." "You'd get arrested all over again." "Well, you're just that tempting. Jailbait." He kissed her fingers, which made her shiver all over; his lips lingered warm on her skin, reminding her of what it felt like to be alone with him, in that timeless.
I'm especially thankful for being able to coach so many talented young men over my 18 years here. It has been so rewarding to see these players come to OU and mature over a four- or five-year career, and not just on the field. To play a small part in their growth is what I will always cherish the most.
I get carded for soda, you know, when I go to the supermarket. I mean, they card me for everything. You know, I can't even get through a hand of black jack without getting carded, like, five times.
To be honest, I didn't have any expectations. I really didn't know what to expect. What I was most nervous about was the repetition of doing it over and over and over again. Does that get stale? How do you keep it fresh? Then I realized it's always new because you get to keep playing the next moment.
I always say to young people, "Get the hell out of the United States." Especially if you're young, like if you're 21 or something. Let's say you don't speak any Italian. You're 21. Everyone's going to want to sleep with you and be nice to you. And the best way to learn a language is to sleep with someone from that country.
I'm carded for R-rated movies. And I get talked down to a lot. When I try to go rent a car or buy an airplane ticket or other stuff adults do, I get 'Okaaaaaay, honey.' I remember when I was 18, getting crayons in a restaurant.
I'm carded for R-rated movies. And I get talked down to a lot. When I try to go rent a car or buy an airplane ticket or other stuff adults do, I get "Okaaaaaay, honey." I remember when I was 18, getting crayons in a restaurant.
I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.
Going to the office of some stranger and waiting in a line, in a hallway, with five other guys who look just like you, waiting your turn to go in and embarrass yourself, and then waiting around for feedback, which never comes. I really like that. For a young artist, it seems like the perfect thing to be doing, humiliation, over and over and over and over. Which I'm sure can't be the way that some people look at it, but I thought that was so great. The point of it is if you make your own stuff you don't have to deal with other people's bullshit.
I did kung fu from when I was nine to 13. You have to be really careful but you want to be able to make it look eventually as though it's just a part of you. So, you train over and over and over again.
The makers of '21 and Over' have been screening it, and I'm getting a lot of comparisons to a young Vince Vaughn.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
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