A Quote by Monica Lewinsky
Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.
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When my TV show was in production, dozens of women asked me out on Facebook. Some were shy about it; some were blatant. Some I knew, some were total strangers. But they went for it.
So way back, Jonathan and I were - we were entertainers as kids. We were actors; we did theater, musicals; we ended up getting into commercials and some TV spots. Actually, one of our jobs, we were clowns.
I'm pretty interested in documentary film, and I'd watch almost anything. At some point, I stumbled upon 'shoot interviews' and found out that wrestlers were now talking openly about things that were going on in wrestling that we as viewers were not privy to. This fascinated me.
One has to say that they [Eleanor and Franklin Roosevelt] were pioneering to some extent. They didn't know that some of the housing projects that they were putting up for the poor were going to turn into crack dens and rapists' bowers and things of that sort, which they have since become. But you can't always foresee the future. I'm sure their intentions were the best.
Go back to the Bible, the Old Testament. I mean there were people who we would call intelectuals, there, they were called prophets, but they were basically intelectuals: they were people who were doing critical, geopolitical analysis, talking about the decisions of the king were going to lead to destruction; condemning inmorality, calling for justice for widows and orphans. What we would call dissident intelectuals. Were they nicely treated? No, they were driven into the desert, they were imprisoned, they were denounced. They were intelectuals who conformed.
Well, this movie I've been working on for a while. I had the idea for the movie like twenty years ago when I was doing 'Empire of the Sun' in 1987 because at that time that's when all these Vietnam movies were being made and my friends and I were going on auditions for these Vietnam movies and my friends were getting them and going away to fake boot camps.
My heroes were people like Jim Jarmusch. Scorsese was my god. Spike Lee was exciting, doing exactly what we thought we were going to do: personal movies based in, and about, New York. My heroes were all participating in an economic model that was collapsing as I was finishing film school.
I always find out after the fact that the books I've been writing were actually some sort of therapy, some sort of, you know, self-examination that I had to write the book in order to complete.
Books did not need to be beautiful back in the Fifties, because nothing else was beautiful back then. Books were simply there: you read them because they were diverting or illuminating or in some way useful but not because the books themselves were aesthetically appealing.
In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.
In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me, and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.
It's quite interesting, looking back at the first one [film about Harry Potter], nobody knew whether or not it was going to be successful as a film. The books were of course already very successful, but that's happened before, where the books were successful and the films weren't at all. But it turned out that they were.
40 percent of people who come to visit America on a visa overstay their visa and we have no idea where they are. On 9/11, at least 2 of the hijackers were here on visa. They were traveling back and forth to the Middle East. And we really had no idea where they were or what they were doing. And they were overstaying their visa. So there are problems I think in the immigration system that need to be fixed for our safety.
When I was growing up, officers in uniform were very impressive to me. They were doing a job. They were protecting our country; they were heroes. When you wear an old military jacket, there's some sort of connection to those qualities - to being strong, to being tough, to being a warrior.
I was growing up and maturing at a time where we were invisible, man. We were nowhere except negative. Any time you saw a Latin person in Hollywood or on TV, they were some sort of negative character.
During the curfew, whoever went out, the people were watching you. Any Japanese home, there was some person figuring he's a good American citizen by doing his duty, and they were watching every move each family were doin'. Or if they went out, they followed them to see where they were goin'.
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