A Quote by Monie Love
My greatest contribution to hip-hop was allowing the United States of America to know and understand exactly how far they reach, and how influential they are to children in completely different countries because I am the import.
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A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.
You gotta understand a lot of hip-hop kids are going to have the hip-hop mentality. And it's sad because they're not educated enough to understand what hip-hop culture is really about.
Hip-hop ain't died because of the South, that's retarded. When I named the album originally, I thought I bit off more than I could chew but you'd be an idiot to think I'm talking about how the South killed hip-hop or how New York isn't where it should be or where it once was. It was like, "Damn, I need to explain this?" But I thought, "Nah, the proof is right there. We should know what it is." I expect the hip-hop audience to be avant garde. I want them to be where I'm at or beyond where I'm at.
As far as hip-hop is concerned, I'm no expert and rarely think consciously about how I "represent" hip-hop.
I don't care what anybody says, there's nothing like the cultural influence of hip-hop. For me, hip-hop culture is involved in everything - it's in me, in who I am, in how I dress, how I talk. It's in my son and my wife.
I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
Everything affects hip-hop. The question is, how does it affect the money that corporations are going to invest to put out different kinds of hip-hop?
I'm born and raised in Dusseldorf, and my parents emigrated to Germany sometime in the '70s, so I grew up completely different from any other German. I found my love in hip-hop music. Hip-hop was delivering everything that I needed: the message, the lifestyle - everything. I fell in love with it and I'm still hip-hop.
I may be able to concentrate on a move, but it may not look exactly how I need it to look like, as far as in the ballroom world. Hip-hop is different; it is a lot more flowy with ballroom.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music
Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
The culture of the United States has flooded the world. It's the inevitable result of a powerful culture, art. We've got an instinctive touch when it comes to the popular mind because we've had no aristocracy. It is a democratic country. And we know without knowing it, without bothering to understand it, how to reach ordinary people, sometimes with the most vulgar, worthless junk on the face of the earth, but we know how to do it [laughter].
I wake up hip-hop,
Go to sleep hip-hop,
Dream 'bout hip-hop,
'Cause I AM HIP-HOP.
The United States, to state the obvious, is greatly concerned by the startling number of unaccompanied minors that - children and teenagers who are making a very perilous journey through Central America to reach the United States.
First thing you have to understand is that freestyling is much different than making hip-hop music: there's another whole element to being a hip-hop MC.
When I am the president of the United States of America, we don't know who you are, and we don't know why you're trying to come to the United States, you are not going to get in, because the radical threat that we now face from ISIS is extraordinary and unprecedented and when I'm president, we are keeping ISIS out of America.
I would like to encourage hip hop artists to invite those of us who are in the queer spaces in, so we can have those conversations. I love hip hop. If you bring me in the studio, I know how to act. And we can talk about what's not cool because, clearly, there's still homophobia that penetrates in all these areas.
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