A Quote by Monique Truong
Words, do not have twins in every language. Sometimes they only have distant cousins, and sometimes they pretend that they are not even related.
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Dance songs can be different sometimes - sometimes it could be related to liquor, sometimes to a girl, sometimes even a romantic track.
Sound words can't be understood through formal study of the language alone. They're felt when you immerse yourself in the culture or lifestyle that becomes a part of you. The Japanese language is abundant with onomatopoeia. Even though I've lived in Japan a long time, sound words are still an uncertain territory. And I think new words are being created every day. Even when I don't know a word I can sometimes connect it to a meaning using the sensations produced by the sounds, which feels like I'm playing with words.
Sometimes, you just have to reassure the ones you love in precise language that you'll always be there. Sometimes words are enough.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
I think words are the thing that either triumphs for you, in your desire to communicate something, or fails. I love language because when it succeeds, for me, it doesn't just tell me something. It enacts something. It creates something. And it goes both ways. Sometimes it's violent. Sometimes it hurts you. And sometimes it saves you.
To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
Sometimes my brother and I - we're twins, and sometimes we joke that we're like a two-headed monster. We can be hard to deal with because we don't break ranks; we stick together.
It (the heart) is supposed in popular language, to be the seat sometimes, of courage, sometimes of affection, sometimes of honesty, or baseness.
Sometimes the reading is related to something I do, sometimes it's not. I feel like every time I read something, there's a quote or something that comes [into the work] later. There's nothing that happens by coincidence. It's fate, I would say.
Look, I'm human. Sometimes I'm struggling, sometimes I'm hurting, sometimes I have feelings, sometimes I'm heartbroken. I try to do good in the world even when I'm very sad.
Sometimes we can offer a cure, sometimes only a salve, sometimes not even that. But whatever we can offer, our interventions, and the risks and sacrifices they entail, are justified only if they serve the larger aims of a person's life. When we forget that, the suffering we inflict can be barbaric. When we remember it the good we do can be breathtaking.
The whole compass of the language is tried to find sinonimies [synonyms] and circumlocutions for massacres and murder. Things never called by their common names. Massacre is sometimes called agitation, sometimes effervescence, sometimes excess sometimes too continued an exercise of revolutionary power.
There is no right or wrong angle for something. The idea of putting the camera in an unfamiliar position is simply to do with film language. Sometimes it is spectacular, sometimes it is ugly, sometimes it is uninteresting.
Sometimes memory tricks you. Sometimes beauty is best when it's distant.
Barcza is the most versatile player in the opening. He sometimes plays P-KKt3 on the first, sometimes on the second, sometimes on the third, and sometimes only on the fourth move.
Depending on where I am in the process, sometimes I have a page count and sometimes I don't. Sometimes I have an hour count; sometimes I'm just happy to string a few words together. I do keep pretty rigorous hours, because otherwise you never get anything done.
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