A Quote by Monique Wittig

It is quite possible for a work of literature to operate as a war machine upon its epoch. — © Monique Wittig
It is quite possible for a work of literature to operate as a war machine upon its epoch.
In all the areas within which the spiritual life of humanity is at work, the historical epoch wherein fate has placed us is an epoch of stupendous happenings.
Christ and the life of Christ is at this moment inspiring the literature of the world as never before, and raising it up a witness against waste and want and war. It may confess Him, as in Tolstoi's work it does, or it may deny Him, but it cannot exclude Him; and in the degree that it ignores His spirit, modern literature is artistically inferior. In other words, all good literature is now Christmas literature.
The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
I think you have to find how the machine can work for you. That's what I mean by "attaching yourself to the machine," 'cause the machine is going to be there, and you can rage against the machine, which is cool, but there's ways that you can benefit off the machine if you're savvy enough and you're sharp enough, smart enough. We all got to live and eat.
I came up during the cold war, and during the cold war it was always possible with the then Soviet Union - the Russian leaders behaved carefully and predictably. They didn't engage in nuclear saber rattling. They were able to work with us and align their interests where possible.
Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another.
War destroys. War obliterates. War is ruination. And war begets more war. After thousands of years of experience proving this, and reams of literature and countless works of art exposing it, when are people going to learn?
Carlos was a character, a character fabricated by Ilich Ramirez Sanchez, fabricated by the secret services of the epoch, fabricated by the governments of the epoch, by the radical groups of the epoch, by the communications media.
The whole essence of humanitarian work and the Geneva Convention is that neutral, impartial organisations can operate during war.
Milosevic will never stop, because he is fighting for personal power in Serbia. The only way to stop him is cutting the functioning of his war machine. He is spending $1.7 million a day on his war machine in Kosovo.
There will be some fundamental assumptions which adherents of all the variant systems within the epoch unconsciously presuppose. Such assumptions appear so obvious that people do not know what they are assuming because no other way of putting things has ever occurred to them. With these assumptions a certain limited number of types of philosophic systems are possible, and this group of systems constitutes the philosophy of the epoch.
At each epoch of history the world was in a hopeless state, and at each epoch of history the world muddled through; at each epoch the world was lost, and at each epoch it was saved.
The genius of America's endless war machine is that, learning from the unpleasantness of the Vietnam war protests, it has rendered the costs of war largely invisible.
In the midst of each epoch, I fully realize that a new epoch will dawn.
The entire Nazi war machine was only possible because of past, present and future violations of the non aggression principle (achievable only through government).
It's not that war crimes stop as soon as a novel about them is published. Literature operates slowly, it is always inching toward bliss, never quite getting there.
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