A Quote by Monty Don

I see myself as a writer who happens to garden. — © Monty Don
I see myself as a writer who happens to garden.
First of all, I don't think of myself as a northern Michigan writer. I think of myself as an American writer who happens - and yes, by choice, and for a long time now - to live in this particular place, and where, as the joke goes, there are only three seasons: July, August, and winter.
These days I find myself wanting to avoid being pigeon-holed, ghettoized, held in a different category than other authors. And when people ask me if I'm a black writer, or just a writer who happens to be black, I tend to say that it's either a dumb question or a question which happens to be dumb.
I view myself as a fiction writer who just happens to write nonfiction. I think I look at the world through a fiction-writer's eyes.
If, I can someday see M. Claude Monet's garden, I feel sure that I shall see something that is not so much a garden of flowers as of colours and tones, less an old-fashioned flower garden than a colour garden, so to speak, one that achieves an effect not entirely nature's, because it was planted so that only the flowers with matching colours will bloom at the same time, harmonized in an infinite stretch of blue or pink.
I've been trying to garden all my life - it just happens that I haven't had a big garden...until the past few years.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
I view myself primarily as a trial lawyer who happens to be writing, as opposed to a writer who happens to be a trial lawyer, so the audience is like a jury to me.
I do like to work on a Marvel method, so if I've got the opportunity, and the writer is happy to do it, I like to have a writer detail what happens on a page, but not saying what happens in every scene.
I think of myself as a writer who happens to be doing his writing as an anthropologist
I think of myself as a writer who happens to be doing his writing as an anthropologist.
That's the one thing I don't like hearing, when someone says, 'We'll see what happens, see what happens here, see what happens there.' Forget all of that.
I don't think of myself as a metafictional writer at all. I think of myself as a classic writer, a realist writer, who tends to have flights of fancy at times, but nevertheless, my feet are mostly on the ground.
I see myself much more as a writer/director or at least an aspiring writer/director - not necessarily in film.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
The garden is my second profession. It's 22 hectares, which is a big garden. I really need it, going from the flower garden, the shrubs and the trees, the vegetable garden, all these things.
I always want to challenge myself as a writer. I consider myself more of a writer than I do a director.
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