A Quote by Monty Hall
It was a show that you played at home and you're saying to the contestant do this and do that. When you at home are involved in yelling at the screen, then you know you've got an audience.
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Let's be honest: we all watch the show at home and play 'armchair' 'Survivor,' inserting our opinions, comments and yelling at the TV screen.
Stand up is the most stressful, and hosting and presenting a show has its own stresses, because you've got an audience which you've got to entertain as well as an audience at home.
You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
Once I'm performing the show, I think that hour show has a certain intimacy with our audience. And that intimacy is through the lens and the live audience is a witness to that, whereas the audience at home is actually the object of my efforts.
Home sweet home. No place like home. Take me home, country roads. Home is where the heart is. But my heart is here. So I must be home. Clare sighs, turns her head, and is quiet. Hi, honey. I'm home. I'm home.
If you got a good imagination, a lot of confidence and you kind of know what you are saying, then you might be able to do it. I know a lot of colorful characters at home that would make great actors.
I've had people say to me, "Well, how do I start collecting artworks?" Well, you start by buying. Buy what you like, buy what you can afford - and I'm not just saying that because I'm a dealer. You can't be so paralyzed to where you keep saying, "I've got to learn more." The best way to learn is to go home and actually put something on the wall. Then you've got an investment. Then you're living with it. Then you're in the game.
Home is a blueprint of memory...Finding home is crucial to the act of writing. Begin here. With what you know. With the tales you've told dozens of times...with the map you've already made in your heart. That's where the real home is: inside. If we carry that home with us all the time, we'll be able to take more risks. We can leave on wild excursions, knowing we'll return home.
I have two homes, like someone who leaves their hometown and/or parents and then establishes a life elsewhere. They might say that they're going home when they return to see old friends or parents, but then they go home as well when they go to where they live now. Sarajevo is home, Chicago is home.
I've had people come up to me, as home viewers, and tell me they were screaming at the TV, yelling at each other, yelling at the contestants.
But if you really want to get involved in making a difference, you can stay at home with your family and have a job and make a reasonable living without having to be on an airplane all of the time, then you ought to go back home and run for School Board.
When I got home, I was trying to figure out how to be home. Like, be home in a sense that had nothing to do with music.
Sometimes you go into Nando's, and you want to tuck into the chicken wings with your fingers, but you know someone is watching you, so you don't. I'm sat there thinking, 'If these chicken wings were at home, they would get demolished!' But I've got to use a knife and fork, and you end up saying: 'Could I get a bag to take these home, please?'
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
I had an opportunity to move to L.A. back in 1999 and start up a horse racing network of all things. At the time, I was younger and married but didn't have kids; so we thought, Let's just go to L.A. for a while and have fun, and we can always come home. One thing led to another; and once I was out there, I had my eyes opened to this other world and quickly got a home and gardens show and did a game show and then The Bachelor ended up falling into my lap in 2001. And 'the rest is history' as they say.
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