A Quote by Mooji

So vast is that Being that there's enough room for every sensation to have its momentary play. — © Mooji
So vast is that Being that there's enough room for every sensation to have its momentary play.
You can make anything into a play for the simple reason that the human mind is one of the best writers in the business. So, if you've got a writer who's clever enough to give you enough clues, you will fill out every blank spot in a play, every single one.
When you play against Roger, it's always special. First, because you play in a big area, in a big stadium anyway. And every time the crowd is for him, so it's quite a good sensation.
Love is not a feeling; it's a sensation. Drinking water when you're thirsty is a sensation, not a feeling. Being in nature or swimming in the sea is a sensation, not a feeling. Lying down when you're tired is sensational, not a feeling, although you may say it feels good. Feeling is an emotional interpretation of experience and these sensations don't need interpretation; they are just good or right. Making physical love rightly is a sensation, not a feeling. So is the love of God. The same goes for joy and beauty; both are sensational.'
The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of rearing and peering from the bent tip of a grass blade, looking for a route.
Every sensation shares the same characteristic: it arises and passes away, arises and passes away. It is this arising and passing that we have to experience through practice, not just accept as truth because Buddha said so, not just accept because intellectually it seems logical enough to us. We must experience sensation’s nature, understand its flux, and learn not to react to it.
He who fears death either fears the loss of sensation or a different kind of sensation. But if thou shalt have no sensation, neither wilt thou feel any harm; and if thou shalt acquire another kind of sensation, thou wilt be a different kind of living being and thou wilt not cease to live.
Women are being told to get midwives [in UK] because there's not enough room and there's not enough pain medicine at the hospitals.
It is the sensation of being tired but having a good feeling, you know, a sensation that you have done it honestly and given all your strength. And it is no matter that you feel like this, because this is what you have to do when you go into this sort of life. This is what I choose.
I've been lucky enough to play roles that are not just the preppy cheerleader or sullen emo girl. I've been able to play roles that are really vast and varied and very three-dimensional. Fingers crossed that it remains the same.
A child gets a fever in the United States and it's high enough and sustainable enough, all of us can bring a child to an emergency room. Most Haitians never had that opportunity. They didn't have the emergency room to bring them to. Virtually every time your child has 102 fever, you wait for it to die and you have no clean water to give it.
Being in Los Angeles is this brutal awakening, where I feel not good enough as soon as I walk into a room, and I'm wearing the wrong thing, or I don't have enough make up on. It's all about image.
I remember being a little kid sitting in the living room with my brother and some friends from around the neighborhood, and I would sit at the piano and as they were running around the room doing different things and being silly, acting out, I would actually play the score for it - the music that went along with it.
There is room enough indoors in New York City for the whole 1963 world's population to enter, with room enough inside for all hands to dance the twist in average nightclub proximity.
All my life I have arrived early only to find myself standing self-consciously on a corner, outside a door, in an empty room, but the closer I get to death the earlier I arrive, the longer I am content to wait, perhaps to give myself the false sensation that there is too much time rather than not enough.
It's different to have your head coach be in the offensive meeting room going through every play, every detail to every guy, telling them why they need to run this way or what this concept is.
The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of a stunt pilot's turning barrel rolls, or an inchworm's blind rearing from a stem in search of a route. At its worst, it feels like alligator wrestling, at the level of the sentence.
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