A Quote by Mookie Betts

I'm not a big country guy even though I'm from Nashville. I like some songs, but I wouldn't turn on a country radio station or anything. — © Mookie Betts
I'm not a big country guy even though I'm from Nashville. I like some songs, but I wouldn't turn on a country radio station or anything.
I feel like fans who like old Southern rock and country, and more lyric-driven songs in general, have come to country radio. I think that's why you see country radio growing and albums selling: People are craving a little more of the singer-songwriter stuff going on in country.
My songs speak for themselves. The musicians who play on them and the way they sound and where they were recorded and the way they were recorded is the old Nashville way ... they sound as country or more country than a lot of things that are on country radio.
I like to sing. I write music. Country songs. You have to if you're in Nashville. It's part of the lease. You sign a lease that says, I will write country songs and pay my rent on time.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
My local radio station, WHOC, Philadelphia, Mississippi - '1490 on your radio dial, a thousand watts of pure pleasure' - it was a beautiful station. And I loved everything I heard. But it was country music that touched my heart.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
I'm a country singer, and I'm comfortable with that. But why does a country singer have to play only on country radio or a rock singer only on a rock station? I still don't understand why it's that big a deal.
Even though I've had 20-some country No. 1 records, I still have a hard time convincing a lot of these people in the Country Music Association and the Academy of Country Music that I love country music.
I love country; I'm gonna do a country solo album at one point just 'cause. I'm a big fan of Keith Urban, Trace Adkins, Rascal Flatts, even though that's more pop. I grew up on country.
Even though Brazil has been up and down and had some difficulties, it's still a very big country, and a very important country. It's got the fourth largest domestic market in the world.
I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.
I thought, when I came to Nashville, I was going to hook up with some of the top country writers in town and write some country tunes.
I know people who have written big hit country songs that are really kind of terrible songs, but for the rest of their life, they're the guy who wrote that. You've got to be careful; if you don't want that to happen, don't write those songs.
One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
I felt like it was the space that I could be the most authentic of anywhere because of how I grew up. Even though some of the songs and some of the texture wasn't what I like, I felt like country music was more authentic, in general, than anywhere else.
Politically I don't believe anymore that we can only have one voice to a story, it's like having one radio station to represent a country.
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