A Quote by Mordicai Gerstein
Each one seems to be, in some way, essentially different from the others, and each is a surprise to me. I think that making books, or any kind of art, might also be like mining. The artist digs into his or her life and imagination and never knows what they'll find. That's the adventure.
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We need each other to do things that we can't do for ourselves. If we are intimately connected with each other, we just give things to each other; if we don't know each other we find another way to handle it. If you think about it, each according to his or her abilities and each according to his or her needs is sort of the same thing as supply and demand.
You must purge yourself before finding faults in others. When you see a mistake in somebody else, try to find if you are making the same mistake. This is the way to take judgment and to turn it into improvement. Do not look at others' bodies with envy or with superiority. All people are born with different constitutions. Never compare with others. Each one's capacities are a function of his or her internal strength. Know your capacities and continually improve upon them.
One can't prescribe books, even the best books, to people unless one knows a good deal about each individual person. If a man is keen on reading, I think he ought to open his mind to some older man who knows him and his life, and to take his advice in the matter, and above all, to discuss with him the first books that interest him.
I personally find that each instalment has a different director, cast and crew, and I've also been in a different season in my life for each of them, so I feel like each movie is a unique experience that centres around my undying passion for music and dance.
We are great mysteries. No matter what we imagine we may know, even for all the facts we might gather, we don't know each other. Never do, probably never will. Our reputations depend on the opinions of the ill informed. We all have better moments than anybody ever knows, and so do all the others. We are, each one of us, books that are read by critics who only glanced at the chapter headings and the jacket flap. Each one of us is a secret, and on that basis we ought to treat each other with the deepest respect.
I have never been convinced throughout my life that one needs to be imitating others. I even tell my daughters not to look at me as a model. Everyone's condition is different, and the way that each person lives his or her life is different. What is important is that one utilizes one's intellect and not to be 100 percent sure about one's convictions. One should always leave room for doubt.
I have a set of images that go around the world in an art gallery installation. Each of them have different audiences, and they kind of each elucidate the subject in a slightly different way, and they ping off of each other.
Writing is not a job or activity. Nor do I sit at a desk writing for inspiration to strike. Writing is like a different kind of existence. In my life, for some of the time, I am in an alternative world, which I enter through day-dreaming or imagination. That world seems as real to me as the more tangible one of relationships and work, cars and taxes. I don't know that they're much different from each other.
Well, I'm drawn to stuff that is darker. I will probably do a version of Jane Austen at some point because her books are really well known. Unfortunately they've been parodied to death, but they're so well known that I feel like I should approach it and I think I have an idea that will definitely spin it in a different way. There's melancholy and sadness around the edges. I haven't read all of her books, but it seems they often have... essentially happy endings?
Each person may see a fight in different ways... They can see more to a primal way. Others they can see in a pure artistic way... For me I see the pure artistic way, the way that a true martial artist can show his art.
Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.
It never seems to occur to anyone that each reader is different, and that even those who might be said to resemble each other will each bring an individual set of experiences and references to their reading, and interpret and misinterpret it according to these.
Every artist knows that there is no such thing as "freedom" in art. The first thing an artist does when he begins a new work is to lay down the barriers and limitations; he decides upon a certain composition, a certain key, a certain relation of creatures or objects to each other. He is never free, and the more splendid his imagination, the more intense his feeling, the farther he goes from general truth and general emotion.
In every human being there is the artist, and whatever his activity, he has an equal chance with any to express the result of his growth and his contact with life. I don't believe any real artist cares whether what he does is 'art' or not. Who, after all, knows what art is?
It's not always easy for a father to understand the interests and ways of his son. It seems the songs of our children may be in keys we've never tried. The melody of each generation emerges from all that's gone before. Each one of us contributes in some unique way to the composition of life.
My questions did surprise some people. Others didn't bat an eye. That happens with all my books - I'll read them in a certain mood and think, "Gosh, what was I thinking that day? This is really kind of odd." But on other days it seems totally normal to me.
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