A Quote by Morena Baccarin
The lamest excuse that I get incessantly is, 'Oh, we're not going ethnic with that role,' so I can't go in for it, or I can't get the part, which is really stupid, because, in today's world, people look different.
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Girls are trained to say, ‘I wrote this, but it’s probably really stupid.’ Well, no, you wouldn’t write a novel if you thought it was really stupid. Men are much more comfortable going, ‘I wrote this book because I have a unique perspective that the world needs to hear.’ Girls are taught from the age of seven that if you get a compliment, you don’t go, ‘Thank you’, you go, ‘No, you’re insane.
The global warming is going on. These are not single cases. These are all part of a general way we've been looking at the world. As long as we look at the world that way it's going to go on. Because the idea that the important thing is for some people get rich while the rest of the people work for them is very deeply dug in...
Sometimes you go up to people who look totally normal and then you talk to them for a few seconds and you are like, Oh I better get out of this, because this person is a little mentally unbalanced, and they are not going to get a joke.
I'm never going to starve myself for a part. I don't want little girls to be like, 'Oh, I want to look like Katniss, so I'm going to skip dinner.' That's something I was really conscious of during training, when you're trying to get your body to look exactly right. I was trying to get my body to look fit and strong-not thin and underfed.
My first experience of that was with my first movie which I did in India. And it was so different from other people. I find that "Oh my God." Every time the music is slow I feel that people are going to get up and go out. You get this nervousness. But, to my surprise, people starting singing the song even before it came in. They started singing along a week later, after release, which was very cool.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
I've had that experience many, many, times - when you don't get roles. I'd developed a good muscle for shaking it off. I buy myself a present whenever I don't get a role that I really wanted. You get bummed out, and then you go, 'Oh! Now I get to go buy a present for myself.' That kind of helps.
If your self-esteem really does depend on how you look you're always going to be insecure. There's no way you can get around it because you are going to age. Even if you get that perfect body you're going to get older and older and older. You can't avid it. So you have to somehow, at some point, take control and sift the focus and decide who you are, what you can contribute to the world, what you do and say, is so much more important than how you look.
People think, "Oh my god, you've been doing this job for so many years, it must get boring." It's like, "No, hell no," because I get to sing, I get to dance, I get to be on TV and in films, I get to do merchandising, licensing, show up at conventions, write, or take photographs for my book. There are so many different things going on for me that it never gets boring. It's always fun and interesting.
The risk is only in the outcome. You're going on a journey. You're going somewhere to play. And at that time, it felt right to spend that 11 or 12 days exploring this kind of role because it was so different and so challenging for me. It was really exciting to be able to show people, "Look, this is very different. Isn't it interesting?"
It's a career that's enticing because you go on stage, for example, and people clap. You get that affirmation, but you can't go into acting for that because it's really your own self-belief that's going to get you through.
Occasionally you get that one person that says "I really like that one part of this joke" and you go, "Oh thank you that's my favorite part too." But no, in order for it to be authentic hopefully you have jokes that everyone can just get on board with and then you have a few things for yourself.
I do a lot of motivational speaking for young performers and kids who really want to get into acting and performing. I always say, to be as versatile as possible, because you never know which skill is going to help you get a role.
September 11 definitely opened our eyes, but when I was 19 or whatever on the last record, we just didn't care about anything. We were too young to care about anything. And then as you get older, you don't really have any excuse to be stupid anymore, to be in the dark. That just kind of opened everyone's eyes (which I probably wish it did to more people) that there's obviously something wrong, to try and figure out what it is and what's going on in the world.
My favorite part of the film business is the research part, with the access we get from people who are excited to be involved and the things we get to see and do, which we're not normally going to get in everyday life.
I like art that challenges you and makes a lot of people angry because they don't get it. Because they refuse to look at it properly. Rather than open their mind to the possibility of seeing something, they just resist. A lot of people think contemporary art makes them feel stupid. Because they are stupid. They're right. If you have contempt about contemporary art, you are stupid. You can be the most uneducated person in the world and completely appreciate contemporary art, because you see the rebellion. You see that it's trying to change things.
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