A Quote by Morfydd Clark
I actually came out of drama school and went into two years of working in film and television, which was a happy accident.
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Film and television as a medium has only very recently begun to be taught at the great drama schools in the UK. When I was at drama school in the UK, I was there for two and a half years, and we did one week of television and film. It's right before you leave. It's like, "We've taught you Anton Chekhov and William Shakespeare, you are likely to be in a washing-up soap-liquid commercial."
When I was at drama school in the U.K., I was there for two and a half years, and we did one week of television and film. It's right before you leave. It's like, 'We've taught you Chekhov and Shakespeare; you are likely to be in a washing-up soap-liquid commercial.'
I came out of drama school thinking I'd do some theatre, maybe some television, and maybe, someday, a film.
I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.
I did one year of school and I was doing correspondence school, which was actually another happy accident. Correspondence school is basically home school, but you teach yourself instead of your parents teaching you. I found that to be one of the most important things in my life is that I learned how to teach myself things. I feel like that's something that schools should actually teach.
I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.
I want to do more independent film. I'm blessed to be working on really quality episodic television, which to me actually feels like a sort of 13-hour film.
I was baking cakes for a gourmet shop and put two chocolate cakes in oven to bake and when I opened the oven an hour later, they were raw - the oven wasn't working. I didn't know what to do. I couldn't borrow an oven and I didn't want to waste the batter, so I came up with the idea of steaming them and they came out great! Thick and fudgy, like pudding cake. That happy accident was always in the back of mind.
When I was at drama school I wanted to do classical theatre. It just so happened that I did a film when I came out and I moved that way.
I would come back to public school for usually about half the year. It was actually better for me to be out of school a lot, because I was two years younger than everybody, which is a bad situation, socially.
I just feel incredibly lucky. I went to drama school and about 28 of us graduated. I graduated from drama school in 2000, and I would say about two of us are working and able to make a living out of it. It is a tough profession. To have the kind of success I have had is really amazing, and I am incredibly grateful.
For two consecutive Broadway seasons, I had probably the best juvenile roles there were for an actor. Then I moved to California to recreate my role in the film version of 'Tribute.' I started working in film and television after that, and 38 years blew by!
I only ever wanted to be a model. This acting thing - three years of drama school - is an accident!
I came from drama school, and it's a group of 18 people working together in every single production and splitting up the roles for three years, so I am very much about the team.
I went to drama college in England - the Central School of Speech and Drama, in London. I was there for not quite two years, then I got Star Wars.
Neither my MFA from Yale School of Drama nor my BFA from the Tisch School of the Arts at New York University make me any different from other actors in film, television, or theatre.
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