A Quote by Morfydd Clark

I was always far more into anything creative that called for a bit of active participation, like reading aloud in class. Then, having left school shortly after my GCSEs, I auditioned for the National Youth Theatre of Wales and the National Youth Theatre of Great Britain as well as the Welsh National Youth Opera. I ended up getting into all three.
I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
I'd auditioned for the National Youth Theatre and I didn't get a place and it was terrifying.
I tried to get into the National Youth Theatre and didn't, and I tried to get into drama school and didn't, and then I went to university and was really delighted that I went there. I think having the word 'no' can be quite creative.
When I was 16, I played Macbeth at school and my English teacher said, 'I think you may have acting talent. Try to get into the National Youth Theatre of Great Britain and see where you get.' I wouldn't have thought of that at all. I wanted to be a surgeon, but I wasn't a clever man.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
My parents say it all began with my role of Percy the Polar Bear back in nursery school! I began dance classes at the age of five (you would never guess though) and then I went on to join my local theatre group, Glantawe Players, at the age of eight and then Swansea Amateur Dramatics Society. I then joined the National Youth Music Theatre, so I really can't remember a time when I wasn't interested in Musical Theatre!
I took up drama and did so much extracurricular work, like the National Youth Theatre and Guildhall's Saturday school. Acting is where I felt most comfortable and how I wanted to express myself.
I had a very nice, cozy childhood. I did lots of plays at school and worked with the National Youth Theatre as a teenager.
I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
I just love performing so much, and I threw myself into every musical theater production that was going in my home town and at school. And then, I went to the National Youth Music Theatre, which was really a galvanizing experience for me when I was 17.
I was in the National Youth Theatre, too, but there was no dancing there. I was doing plays like 'Julius Caesar' and playing the lute very badly.
Mum snuck me into speech and drama classes and into the National Youth Theatre and said I was going on a summer camp if Dad asked.
I didn't go to university. I studied theatre in high school and worked with Canberra Youth Theatre and The Street Theatre and other theatre organisations in Canberra, and that's how I got my training.
It had never been a decision to choose between the French national team or the Senegalese national team because I was growing up in France and playing in the French youth national team, so it was something really normal.
The National Youth Theatre did one very simple but incredible thing for me: it made me realise I had choices.
After studying theatre from National School of Drama, theatre became a passion, an ambition.
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