A Quote by Morgan Freeman

If you're not living on the edge then you're taking up a little too much space. — © Morgan Freeman
If you're not living on the edge then you're taking up a little too much space.
If you're not living on the edge you're taking up too much space.
If you're not living life on the edge, you're taking up too much space. The best way to predict the future is to create it.
If you're not living a life on the edge you're taking up too much space! ... You learn the most when you're out of your comfort zone!
We have to learn to face our fears and push ourselves. If you're living on earth and you're not living on the edge, you're taking up too much room. When you push past the fear and realize that what you feared was not a big deal, you gain more confidence.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch tv too much. We have multiplied our possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
You keep worrying you’re taking up too much space. I wish you’d let yourself be the milky way.
I'm constantly taking calls and responding to e-mails at home, and I find it best to have that little work space. And then when you're not at that little space, it's not work anymore.
There's not too much Edge in Adam Copeland, but there's a little bit of my sarcasm and my sense of humor, I guess, but I'm not a sleazy, raving maniac like the character of Edge could be.
In some cases, I allow the edge of the set, the edge of my own artificial, artistic imposition, to show up because I don't want to hide from that. I want to acknowledge that there is a living human and a living eye and a living mind and a living heart responding to what's going on out there.
The dull externals of the screenwriter's working life are well known: We are the people taking up too much table space at cafes.
I have always smoked and drunk and loved too much. In fact I have lived not too long but too much. One day the Iron Crab will get me. Then I shall have died of living too much.
Empathy took the edge off, and the truth is, we need our edge. Our edge is trying to speak to us, and we are too, too good at shutting it up.
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.
I remember growing up and feeling all the time not pretty enough, too rude, too loud, taking too much space because precisely I wanted to maybe be bossy and loud and unapologetic and not really smooth all the time, and those were not really qualities that were valued for me.
The apartment was built at the edge of a high cliff so that when you looked out the back window it seemed as if you were twelve floors up instead of four. It was very much like living on the edge of the world - a last resting place before the final big drop.
The Warrior lives a life full of adventure, living on the edge of opportunity. Life on the edge keeps him in a space of heightened awareness and totally in the moment; therefore no matter what comes his way he is always prepared.
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