A Quote by Morgan Freeman

Part of acting is having the security to turn yourself loose and let yourself go in order to reach whatever depths a character has. If your guts aren't hanging out there, you don't offer anything.
It's hard to say what you learn acting a part. You find bits and pieces of yourself that are inside the character you play. You locate the relatable aspects of that character to your own life. So, in a way, every part you play forces you to discover things about yourself you might not have learned otherwise.
In acting you have to not be yourself. It's like whatever character is put on, you have to just to turn into that person.
I think most character people that you talk to, it's like, whatever they offer us, we are thrilled to do. I won't do anything that's immoral or illicit. I did turn down eating a dead body once. I turned down a few really creepy horror movies. For the most part, I can usually find a way into whatever character.
... to keep moving up ... , you have to abandon the security of that ledge and reach for another hold. Letting go of that sense of security.. is the challenge. ... think of yourself as climbing a ladder. To move to the next rung, you must give up your grip and reach for the next one.
Movie acting is a great job for your twenties: You travel all over, you have affairs with people, and you throw yourself into one part and then another. It gets more challenging as you get older, and it's not just having a daughter, it's wanting to have your own life and be yourself.
Remind yourself, in whatever way is personally meaningful, that it is not in your best interest to reinforce thoughts and feelings of unworthiness. Even if you've already taken the bait and feel the familiar pull of self-denigration, marshal your intelligence, courage, and humor in order to turn the tide. Ask yourself: Do I want to strengthen what I'm feeling now? Do I want to cut myself off from my basic goodness? Remind yourself that your fundamental nature is unconditionally open and free.
Sometimes when you have to go into something, unless you're gifted and can just turn it on and off like a jukebox, you find someplace where there's nothing going on to get yourself into whatever state your character is entering into.
In any creative endeavor, you do have to sort of take your shots. Nobody is going to beg you to go into the creative arts. So, if you want to pursue a career in something like acting or writing, the motor and the drive have to come from you. And that does take courage because, A, a lot of people want to do it, and B, it's hard. So, you have to have the guts to put yourself out there and go for it in spite of the world saying, "You know, it would be so much easier, if you didn't pursue this." So, it does take guts.
The voices inside you can lead your soul astray Believe in what you dream Don't turn away don't you turn away. Reach for the light You might touch the sky Stand on the mountaintop and see yourself flying Reach for the light to capture a star Come out of the darkness and find out who you are.
You're used to having a camera in your face when you're playing a character - it's like having a mask on. But when you have to be you, you're so worried you'll make an idiot of yourself. Acting is a kind of escapism.
I think every girl needs to love herself, regardless of anything. Like if you're having a bad day, if you don't like your hair, if you don't have the best family situation, whatever, you have to love yourself and you can't do anything until you love yourself first.
If you're really being honest with yourself when you're acting, part of it is touching the real you. You can only separate yourself so much from the character. Those vulnerable moments do touch me.
The ultimate is not to win, but to reach within the depths of your capabilities and to compete against yourself to the greatest extent possible. When you do that, you have dignity. You have the pride. You can walk about with character and pride no matter in what place you happen to finish.
When you create a character, you create it for yourself - you do whatever you want. It's your job to explore it in as many different avenues as you can in order to make it a fully wounded character.
You're always trying to find common ground with whatever you do, but you want to not be thinking about yourself when you're performing a play. The job is getting yourself out of the way and letting the character go about the scenes.
A man can reach into anything and turn it to his cause. It's not want, or desire, just certainty. Only be assured that whatever you reach into will reach into you in turn.
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