A Quote by Morgan Freeman

I seldom get into the mood of the story. It's acting. I go in, I act, I quit. I don't take anything away from it. — © Morgan Freeman
I seldom get into the mood of the story. It's acting. I go in, I act, I quit. I don't take anything away from it.
I don't always know what's going to go on in terms of the mood of the story. Sometimes I start with the mood, but sometimes I just try to work toward discovering it. But I do think often there's a mood or unsettling quality, in which the reality of the world seems to be taken away, that I really love, and it's something that I almost always unconsciously move toward.
When I get moved to write a story, I don't question the story. I dive right in, and I try to ignore the voices that are chattering away at me: 'You can't do that', 'You shouldn't do that'. I just sort of leap and take a chance and go for it.
I think anything emotional adds to your acting and singing, no matter what it is that you go through. It will always add to it, never take away.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
I can act. I've been acting for a long time, but like anything else, don't nobody owe you nothing. You've go to pay your dues. You go from A to Z; you don't go from M to Z.
If I waited to be in the mood to write, I'd barely have a chapbook of material to my name. Who would ever be in the mood to write? Do marathon runners get in the mood to run? Do teachers wake up with the urge to lecture? I don't know, but I doubt it. My guess is that it's the very act that is generative. The doing of the thing that makes possible the desire for it.
The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important.
I studied acting for five years. I quit college at that point. You know, I go hard. When I know I'm supposed to go in a direction, I'm fully committed and I go all the way. Everything falls to the side and I'm all in. So I completely dove into acting even though I was almost 30.
I quit my job in New India Insurance and was confronted by various options. I could either go to Pune to do a course in acting from Poona University or shift base to Bombay or Delhi and study at NSD. I opted for the latter because it is the best place to get a formal education in acting.
I was being groomed to be the theatrical caricaturist. And I know if I got that job, I'd never quit. So I quit. I knew I wanted to go into the theater... I wanted to act.
Consider this: Whenever someone is bothering you, and they just won't let up, and they won't listen to anything you have to say, what do you tell them to get them to shut up and go away? 'You're right.' It works every time. But you haven't agreed to their position. You have used 'you're right' to get them to quit bothering you.
She didn't need to go to acting school to learn that the essence of acting is to act like you're not acting.
A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.
I just have to let the story go the way it needs to go and let them take the detours they want to take, and I'll get to the end.
You have to prepare to quit, and this is what I did. I prepared to quit, so on the day that came when I had to walk away from the game, I walked away and didn't look back.
I know that if I'd had to go and take an exam for acting, I wouldn't have got anywhere. You don't take exams for acting, you take your courage.
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