A Quote by Morgan Freeman

Once you've gotten the job, there's nothing to it. If you're an actor, you're an actor. Doing it is not the hard part. The hard part is getting to do it. — © Morgan Freeman
Once you've gotten the job, there's nothing to it. If you're an actor, you're an actor. Doing it is not the hard part. The hard part is getting to do it.
The only thing hard about being an actor is being out of work. So, when you get a job - that part ain't hard at all.
Success comes from doing the hard part. When the hard part is all you've got, you're more likely to do it. And this is precisely why it's difficult to focus. Because focusing means acknowledging that you just signed up for the hard part.
It's part of my responsibility, as an actor who has been lucky enough to have this job, to take my job very seriously, show up on time, know my lines, and give the best performance that I can because I'm doing something that so many other people work very hard to have and never get.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
I think every film actor secretly wants to be a rock star as well; just that part of the job which requires the extrovert in you. Even if you've become an actor because it's your way of hiding in plain sight, there's still part of you which has that craving.
... they always tell us it's getting to the top that's hard. Climbing's the easy part. Sliding down the other side, that's the hard part.
It's funny because, if you're not an actor, people always tend to say, 'How do you memorize all those lines? Is that really hard?' I'm always like, 'That's just a small part of it. I have to seek my craft and my emotions' - you know, all this gross, actor-y stuff.
I think part of becoming a wonderful actor and part of defining your craft is defining yourself and being confident in yourself, so when the hard knocks come, and you don't get a job for five years, and your ego is being kicked around, you can pull yourself out of it.
The hardest thing as an actor is that you work really hard constantly for these roles, and you invest so much in it. And when they don't come to fruition and nobody sees them, there's a part of you that dies a little bit. It's like, 'Ah! But I worked so hard!' But that's the business.
How you look is part of what acting is, but the way I look at it, every actor is a character actor. Someone once told me at a casting, 'You're a character actor in a leading man's body,' and I can live with that.
You have to want it, you have to plan for it, you have to fit it into a busy day, you have to be mentally tough, you have to use others to help you. The hard part isn't getting your body in shape. The hard part is getting your mind in shape.
When I started doing pro wrestling, it wasn't the physical aspect doing the moves or taking the moves that was hard: it was interacting with the crowd, body movement, selling, getting that emotional attachment with people so they're invested in a match. That was the hard part.
There's part of me that's grateful for the delusion, because it takes a very hard shell to get started as an actor, and I don't have a very hard shell.
The hard part of not working is occupying the mind. If an actor doesn't work, he grows stale.
I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.
You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actually happens.
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