A Quote by Morgan Neville

Vidal was a novelist, an essayist, a playwright, a screenwriter, and many other things. Buckley started a magazine, hosted a TV show, lead a political movement, and was a master debater. They were multihyphenates in a way that you rarely see anymore.
I knew who Buckley and Vidal were growing up, being a political junkie.
I am a better novelist than a poet, playwright, or essayist.
They don't make people like Gore Vidal and William F. Buckley anymore.
When Gore Vidal was coming up, there were three major channels, and he could count on a big audience when he debated someone like William F. Buckley on TV.
I'm a novelist, a critic, an essayist - I tend to see politics as a subset of cultures rather than the other way around. It's a human enterprise, a tool or a technology revealing our collective inner self.
There will be a debate on Firing Line between Buckley and Gore Vidal on the proposition: "This nation cannot survive as long as the income of 50 percent of the population is below the median." Mr. Vidal will take the affirmative.
I became a playwright and screenwriter. Italian-Americans were my particular specialty. I liked the way they talked. There was something free in it.
Nothing, I find, has prepared me for the sight of my own characters walking about. A playwright or screenwriter must expect it; a novelist doesn't and naturally concludes that she has gone mad.
The show with Buckley and Vidal was happening live. There was no editing. There was no delay. So they were aghast. How America reacted is sort of the most interesting thing because as these debates progressed, the ratings were going up. So people began to program these sort of point-counterpoint setups, where two people with opposite sides would come on.
Here's one measure of the man and the scope of his achievement: No serious historian will be able to write about 20th-century America without discussing Bill Buckley. Before Buckley, there was no conservative movement. After Buckley, there was Ronald Reagan.
My dad was in radio; he was a broadcaster, and it was in the family. He hosted kind of a game show at one point on TV; he was the original host of 'Good Day New York,' and he hosted the Jerry Lewis telethon for 15 years.
But here's the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
I think of myself as a narrative artist. I don't think of myself as a novelist or screenwriter or playwright. All of those modalities of processing and experiencing narrative are obviously very different, and I'm not sure that I prefer any one to the other. I think the novel gives you the opportunity to have a kind of interiority that you can't have in the theater, which is pure exteriority.
'Empire of Self' is a loving portrait of a very difficult man. Jay Parini, himself a gifted novelist, poet and biographer, has gone very deep into the 'black energy' of Gore Vidal's relentless narcissism and megalomania. Parini envisions an epic battle between Vidal's angelic and demonic sides, yet there's very little of the angel in Vidal.
I'm not Gore Vidal or William Buckley.
I was a novelist before I was a TV screenwriter. Actually, as a kid, I think I'd always wanted to be a writer, but never thought that I would be one.
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