A Quote by Morgan Neville
At the beginning of the '70s, everything was possible.
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In Australia in the '70s, there was a real embrace of different genres. And then George Miller did 'Mad Max' by the end of the '70s, the beginning of the '80s. And it was really thriving.
It is possible to believe that all the past is but the beginning of a beginning, and that all that is and has been is but the twilight of the dawn. It is possible to believe that all the human mind has ever accomplished is but the dream before the awakening.
Right from the beginning, I always strived to capture everything I saw as completely as possible.
We live in a world where joy is possible, love is possible, happiness is possible; where all things are possible, if we're willing to take the time, take a chance, take a breath and step off the edge of everything that is for the sake of everything that might be.
I started like many young Russian people in the beginning of perestroika when it seemed that everything was possible.
This isn't the end, and a beginning looks different. This is the moment in between, when everything still looks possible.
I've been criticized by my generation, artists from the '70s - and there's nothing more tragic than artists from the '70s still doing art from the '70s - because I blur all these borders between fashion and pop.
I... had my mind blown by all the opportunities that were in California in the '60s and '70s. In Detroit, everything was Freud... Out here, everything was Jung.
Never underestimate the importance of the beginning. Of anything. The beginning has the seeds of everything else to come.
There is no waiting and no delayed gratification because yoga is both the means and the result, and the seed of all that is possible is present at the very beginning. This experience of stillness is possible in the first ten minutes of your first yoga class. It is possible in this very breath.
At the beginning, everything's possible and everybody gets equal time, all the characters, all the ideas. You don't know who's going to be the main characters; they're all fighting it out. It's like kind of the best time in a way.
If anyone looks back to the '70s, '80s with nostalgic rosy colored glasses and goes, 'Well, everything was awesome.' No, everything was not awesome!
An aftermath of real failures can make the whole blockchain ecosystem more resilient because it will result in revealing the boundaries and realities of what's possible, useful, absurd, impossible, repeatable, and scalable out of everything that appears plausible and innovative at the beginning.
Everything cannot be possible without thinking that everything is possible!
I had to leave some traces. In the beginning, I would give complete instructions to the photographer. In the '70s, people would come to photograph your work and you would just end up with this crazy material that had nothing to do with your work; maybe I'd pick up two or three photographs that were the closest to the idea. This is why when you look at the '70s, you see much less documentation and really bad material. The material will become misleading to what the piece was.
I guess a certain contingent of the musicians in London at the beginning of the '70s were fed up with denim and the hippies. And I think we kind of wanted to go somewhere else.
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