A Quote by Morgan Saylor
I find it really weird that sexuality is still so taboo in films and violence isn't. It really bewilders me.
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It's really important to have a healthy sexuality and to be open about it. It's not a taboo. It's normal.
Though I technically come from a film family, my father had stopped making films even before my brother and I were born. So I did not really grow up in a filmi environment. And when I was growing up, becoming an actress was still quite a taboo. And you may not believe this, but even my father did not want me to join films.
I really dislike the fact that Asian males are constantly emasculated, whether it's American TV or films. You see it all the time, and it's so weird that they don't see sexuality in Asian men.
It was very weird because for a long time no one really recognised me from my films, but 'The Hobbit' has totally changed that, and I've had some really special moments, especially with youngsters.
I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
Parents' tolerance of violence is so different to their tolerance of sexuality. If violence is involved in the sexuality it's somehow perceived as entertainment, but if love is involved with sexuality it's seen as pornographic and is not acceptable.
I don't find the same things funny that many other people seem to find funny. I don't really respond to sex jokes and things like that, and some of my friends look at me and go, "Come on, Nic, that was my best joke. Why aren't you laughing?" I go, "I really don't know why I'm not laughing. I'm sort of out of sync with it." So I'd have to find something that was really about weird human behavior for me to laugh.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
It's strange the way people hear and see things. Like going to films - ?violent films. To me, seeing violence in a film makes me hate the violence. But there's beauty in violence if it's put over the right way.
I've always been really terrible with horror films. I scare really easily and can't stand all the violence and gore.
Find something you really love doing and mix it with something you really care about. That's why I've had such longevity as an artist. I really, really care about ending violence against women, and I really, really love playing music. It's super enjoyable!
The human body is not obscene, sexuality is not obscene. But it [pornography] is not sex, it is violence. It encourages acceptance of the idea that violence is a legitimate part of sexuality.
You can be really weird, and people will still accept you if you're in movies. I'm not actually weird, but if I feel like being weird, then I can do it, and they accept it because you're an actor.
Film work can be anything from just really hard and stressful and you're subjected to really weird deadlines to really draconian and weird and disconnected. You're working in service of the thing, and that can be really amazing for everyone involved, or be kind of just a waste of time.
I'm really interested in violence. And I think there's an inevitably cinematic property that violence brings to the moviegoing experience. But one still has to be thoughtful and mature about how you depict it and how you think it through. You have to think about the effects that violence has on audiences, and it's deployed so casually that I think it's losing its meaning. And when things like violence and murder and the dehumanization of other people lose their meaning, then we're really kind of in a place where we have to reexamine and take a hard look at ourselves.
I've always loved musical films; I find them really thrilling and exciting; it was part of what made me want to be an actress, that feeling of being really transported.
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