A Quote by Morgan Saylor
I'm not good at Disney acting. I'm really not. I never was on that audition list, which I don't mind. I don't know. I look back, and I'm kind of wiping my forehead at the thought of, 'What if I had gone that route?'
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I was never good at that Disney/Nickelodeon kind of acting. It's not really my cup of tea.
I never studied. I was too afraid. I thought that if an acting teacher had said to me, "You know what, you're not good," I would not have gone any further. It was easier for me to justify going to an audition and getting rejected, maybe because they wanted somebody blonde, maybe because I wasn't experienced enough. I could live with that more easily.
Sleepy pulled the car to a stop in front of this paved entranceway, which was flanked on either side by these enormous palm trees, kind of like the Polynesian Resort at Disney World. In fact, the whole place had kind of a Disney feel to it. You know, really big, and kind of modern and fake.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.
I was actually going to work at Tokyo Disney. I thought, 'I'll work in the family!' That was my postgraduate plan. I didn't really have any plans lined up, but I was going to audition for this big band jazz show that was at Tokyo Disney. I think the concert was, like, for a year or something, and I thought, 'Yeah, that's what I'll do!'
I know that the work is good and they're excited over at ABC and Disney and it's getting some really good feedback. It's not just a little, insignificant kind of role. It's meaty, which is good.
I had been in a band in college. You kind of need to make a choice between going the music route or going the acting route. I chose acting, figuring I could always do the music on my own.
Personally, I have nothing to fall back on, and that creates a weird ambition that you have to be good at acting because you can't be good at anything else. I wish I had gone for my degree - that acting wasn't this be-all-and-end-all.
The only movies I saw till I was 17 were made by Disney. My parents had this thing. Disney was like, you know, "Ford is a good car. Disney makes good movies that are good for kids and safe."
I remember once acting really cool on a bus with this girl named Stephanie. When I got home, I realized that I had a really big zit on my forehead. If you have acne problems, you really shouldn't be acting like Don Juan.
I had gone away from Twitter because before people had been so mean to me. Talking about my lisp and my enormous forehead and all these things. I do have a lisp, I do have a forehead I know you could land a plane on, it's no mystery to me. I just didn't have the skin for it.
When I was writing the script I thought he is this guy. I really hoped...I kept imagining him as that guy. And then he came in to audition and I was really nervous because I really wanted him to do Greek, you know? And he...I didn't know who else I could cast. And he was amazing in the audition. Really funny.
At that age, filming Harry Potter, I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view. And so when Jason Isaacs started throwing up these ideas, I thought, "Whoa. What an interesting way to look at acting." Which is why, again, I would do theater.
I look better with a tan, but I've never gone the fake route. I don't need to - I have good foreign genes: half Spanish, half Hungarian.
I did a play back in 2005 called 'The Pillowman,' which Martin McDonagh directed, in which, at the very end of the run, I caught a case of shingles. I had something burst on my forehead, so I actually have a mark on my forehead from that experience. But it's also an internal mark as well.
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