A Quote by Morgan Saylor

I like making people feel things. Acting doesn't seem like lying but like storytelling. — © Morgan Saylor
I like making people feel things. Acting doesn't seem like lying but like storytelling.
I think the best models are actors, you're taking on a character. In that sense, I have been acting for a long time. It didn't seem like a crazy transition. Acting is a bigger step into modelling in a way. Modelling is easier when you don't look like yourself. When you look like a different person, you feel different. Acting goes deeper into that, you have to move and talk like that character. I love it.
I feel like with a lot of Madlib's beats, they are made for storytelling. I feel like when I'm working on stuff with him, I can really get into the storytelling aspect mode of my flow.
Willow [Smith] started making music first. I was like, "My younger sister is, like, 4, and she's making all these fire songs. What's happening?" Willow was doing all these things, about to have record label deals at like the age of 6, and I was like, "I feel like I'm underachieving."
I do feel even though now I'm acting, I still feel like I'm going to do a lot of other things, like write a book or multiple books, maybe a children's book - just random things that I feel like I want to do, that I have an urge to do in that moment.
I feel like, sometimes, people, because of the amount of media, because of the amount of attention, people seem to think I have to do things. Like, I have to win right now! But I don't feel like that.
That's all TV acting is. Like, let me find my mark and seem like I'm still acting. Sometimes they'll put sandbags there, but then it's even funnier because you're walking and you're, like, stepping into sandbags, so now you look like you're having a seizure.
I can't even tell anyone how it feels when I'm acting, I don't mean to say that I don't have to try. But there's something in my heart that explodes, and I feel like I understand. When I'm acting, I feel like so in control and so centered. This is something that I solely get from acting and music. It's like love itself.
I made my first website when I was ten. I flirted using instant messages all throughout high school. I like the Internet. I like cuddling. I like my cell phone. I like awkward eye contact with strangers. I like hearing people's voices. I like parties. I like Craigslist. These things don't seem technologically exclusive to me.
I always tell people that, if you feel like you're portraying a character really well, you're not acting. If you can reach that point where you don't feel like you're acting, than you're doing your job and the audience will believe you.
I'm not a big fan of training, at all. I really don't like it. I've done a few acting classes and I've just hated them. I think they train you to do something, and sometimes you might not be able to break out of it. Acting is lying, and lying is acting. So, I just prefer to read the script and do it my own way.
I think there's a lot of people going through different things where you feel like your whole world's imploded, and you feel like you lost it all, whether it's physical, emotional, whatever you're going through. If I can be that beacon of hope for people that need it the most through dancing and through our storytelling, then I've done my job.
As a teenager, in my songbook, I used to script what my lighting would be like. I used to dance in my roo;, it was like putting myself in a trance, and making myself feel good about things, almost like a private ceremony of begging people to like you.
It's rare when you're actually making a movie and it feels like you're watching a movie in the theater. You feel like a surfer in a wave, catching the wave, going for it every time, there's electricity in the room, it doesn't feel like acting, you ride the wave.
Acting is making it seem like it's happening now.
In Asia, I didn't feel like I was Chloe. I felt like I was acting like someone in Asia. I was acting like Chloe Wang, a pop star, that was like a character for me, if anything.
I feel like Superbad and Freaks And Geeks are somewhat timeless. That's always gratifying, when you feel like 30 years in the future, people will still get it, and it won't seem creaky. It won't come across like The Incredible Mr. Limpet.
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