A Quote by Morgan Spector
In a kind of simple, stupid way, when you walk down a normal city block and you turn around the corner and there's 40 vintage cars and every storefront has been done over to look like 1941, it just kind of blows your mind. It's movie magic.
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I want the pleasures of the real exploitation movie, and exploitation has changed so much in 40 years. Plenty of people grow up with this fantasy of, "We're going to do it like Roger Corman did it," as that sounds so fun. If you make something small, goofy and exploitative, it's nowhere near the guaranteed moneymaker it might have been 40 years ago. If you look at the way the world works now and money is made, it doesn't seem that fun. Maybe that's just a mental block I have and I need to get over that and find that corner where you can make money and still have a good movie.
People might think you can turn creativity on and off,
but it's not like that. It just kind of comes out. A mash up of all these things you collect in your mind. You never know when it's gonna happen, but when it does ... it's like magic.
It's just that simple and it's just that hard.
It's kind of like when you have guests coming over to your house, and you haven't really picked up in awhile, and you look around and say, 'Wow, my place is kind of a mess, but I never noticed it because it's what I've been living in every day.' That's kind of what Supergirl is to the Red Lanterns.
When you're drawing something, you kind of run a movie in your head. You might close your eyes or stare into the distance and kind of see a movie unfolding and, you know, grab a certain moment or think, 'Oh, yeah, that's when we need just the point that he appears around the corner but just as she's getting into the car,' you know?
Cadiz is a city of magic, like Cracow or Dublin, to set the mind on fire at a turn of a corner. ... The eye is continually fed, the imagination stirred, by a train of spectacles as charming as if they had been contrived.
When you get older, you kind of learn when something is done, you just walk away. Sometimes people just want to keep fixing things. But you know it's kind of just like your gut that tells you, "You're done, walk away" because you can always keep fixing it.
Just do some kind of workout. Doesn't matter if it's going for a walk around the block, going for a jog, doing some calisthenics, lifting weights, going to a pool and swimming - you name it. But do something that gets your blood flowing and gets your mind in the game.
I was reading through all these NSA programs that Snowden has revealed, and one of the ones that fascinated me was that smart TVs can be used to look at you in your room. That is totally like the telescreen from 1984. It's not sort of like it, it's not a lot like it, it is it. And the ability of the NSA to turn on your cell phone, even if it's powered down, and listen to you in your home - that's insane to me. People had been warning that 1984 was just around the corner. Well, it has arrived, and Snowden has proven that.
When you grow up in the city, New York is so big that you can kind of stay in your own little corner of the city and think that that's it because you don't need anything. You don't have to venture out; you don't have to touch the boroughs. You can kind of stay in your neighborhood, and there's everything there.
When I started working with a computer, to me it was kind of like animating with a backhoe. But when you see the results, it just blows your mind.
After that really, I spent the majority of the spring going to tons and tons of regional festivals throughout America. Every corner of the country, I took the movie to twenty film festivals or something to that extent. I've lost track. Probably done Q&As 40-50 times at this point. It's always hard to watch something I've made, but I've got a little more objectivity and kind of see the film as not just an extension of myself.
I just hope that I can be kind of like the Beatles. I really like that kind of model. I like the way that without losing integrity they could change through fashion and not look back at the '60s and vomit when they saw what they'd done.
I write some crappy songs. ... but every once in a while I get just the right words put together for the right moment, and it feels like magic. There is no explaining the magic. It floats in and then just like that, it floats out. There's no amount of money that will buy magic. I've watched myself try to coax it, but it is only when I relax and totally allow magic to envelop me that it has ever been kind.
Walk out of any doorway feel your way, feel your way like the day before Maybe you'll find direction around some corner where it's been waiting to meet you.
Classical scores go up and down; they're kind of hysterical in a way. And movie scores are much more - they just drive and move forward, and they build and can't go up and down at that same speed. It's a big job to turn that into something that pushes the movie along.
I've been doing four-track songs by myself since I was like a teenager, where I'd sing in a way that I ... I just didn't think other people would like it, so I didn't play it for them but eventually I got over that, which I'm happy that I did, because it's kind of a drag to be playing a kind of music that you don't really like as much as another kind.
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