A Quote by Morgan Wallen
I didn't do anything but write for six months after I got my publishing deal. That was just trying to get better and figure out my sound and the way I like to do it.
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I love writing Christmas music. It's some of the easiest songs to write... You draw from your own memories - it's kind of a wellspring of inspiration, in a way. With other songs, you know, you spend six months just trying to figure out what to write about.
I worked on 'Who Do You Love?' for, like, six months, really trying to, like - when I got it, I got it, but I was working on it for a minute cause I never had nothing to it. I couldn't get the flow or nothing. Then I just got it.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
I don't think of my music in terms of a career. I just want to get it out there and do it. I'm not manipulating my sound to be like anybody or trying to write to sound like anybody else.
After I went through two years of not winning an event, what kept me going was winning one more major. Once I won that last U.S. Open, I spent the next six months trying to figure out what was next. Slowly my passion for the sport just vanished. I had nothing left to prove.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
It was like that for the first six months after 'E.T.' was in cinemas. I'd go out and get mobbed. I was a shy kid, and being approached by adults all the time just freaked me out.
I enjoy trying to figure out a way to deal with machines - they become like little buddies or something. It's almost the same way you might develop a relationship with a dog - maybe that's weird to say - but there becomes an understanding you reach after a while.
There is a marvelous peace in not publishing. It's peaceful. Still. Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure. I don't necessarily intend to publish posthumously, but I do like to write for myself. I pay for this kind of attitude. I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.
Back in college, when I got kicked out of school, I was still in school, I'd just written the song that got me my record deal. If I hadn't gotten kicked out of school I wouldn't be where I am now. Three months after that, I got my record deal and the rest is history.
The way I figure is we win as a team and we lose as a team, but I've got to figure out some way where I can have a better April and help the team get off to a better start. I normally heat up when it gets warm, but it would be nice to come out of April and everybody is chasing you.
Like a lot of small press founders I was looking for a way into publishing - as well as a way out of academia. Without moving to London, I couldn't see a way of working for a publishing house whose work I liked. Believe it or not, the simplest way for me to get into publishing was to start my own press.
I know what my sound is. I'm just trying to get it out there how I can explain it. I'm not trying to write or put out some music that doesn't represent me.
The way I found time to write 'The Imperfectionists' was that I took work as a copy editor at the 'International Herald Tribune' in Paris, working full-time for approximately six months, then taking my savings from that and writing full-time, then returning after six months, and so on, until the book was done!
It took a long time to get that film made. I went in for it almost right after or like maybe six or seven months after I had my son and actually auditioned for the Regina King part and they just were like, 'No, you're just - you just don't really seem the part.'
I feel like somebody who just got out of prison after 40 years for something she didn't do, like I got pardoned by the governor. When dear friends deal with me with mixed emotions, it is a little like being told, 'Well, Jenny, we're glad you got sprung, really, but quite honestly we did kind of like you better when you were in jail.
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