A Quote by Morgan Wallen

I always had a musical bone, I guess if you will. — © Morgan Wallen
I always had a musical bone, I guess if you will.
They had to re-shape the head of my femur back round. They had to trim my hip socket up a little bit. I had a lot of extra bone growth just from years of stressing it out. Because of that bone growth, it caused an impingement in my hip, which tore my labrum off the bone.
I was so busy with my studies that I didn't have a musical idol as a teenager. Later, around my 20s, I suddenly discovered the Beatles and the Rolling Stones but I guess my musical idol has always been Strauss.
CSPS is a breath of musical fresh air. With a whale sized hooks and neck wrenching riffs you’ll have more than you need to fall head first into this band’s fanbase. Take a listen and see what all the fuss is about. I’m sure that if the bone tight rhythm section doesn’t lock you in, the finely spun lyric and melody will surely ensnare even the pickiest of musical palette.
We've had musical stuff in the show [South Park] forever. That's mostly because Trey's a big musical fan, and he's a great songwriter. He's been writing songs his whole life. So since the beginning, we've always put a lot of musical moments.
I don't have a musical bone in my body.
I got a finger that's literally bone-on-bone. This bad boy, it gets smaller. The more and more I do, it grinds bone-on-bone.
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
All musical talent is absent in me, to the point of being unable to play board games that require you to hum a tune while others guess what it is, since all my humming sounds the same. Musical instruments have always seemed like alien artifacts to me, even as I really admire anyone who can play one.
But I'm not adverse to the idea of Torch Song as a musical. It would just be different. Because the play will always be there exactly as it was, and in a musical you could tell a lot of the story through songs.
Drue [Langlois] and I started making music together before we started the Art Lodge, so I guess musical collaboration came first. The music we made, and our performances, always had a visual component. I could never play an instrument, so these other elements compensated for that a little.
I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
Wisin is my brother. He always will be my brother. We are very happy as solo artists. We had a great musical trajectory together, which will be there forever. And for the future, we won't discard reuniting and making something new.
I enjoyed acting growing up; I did musical theater. I had a secret desire to be a television and movie actress, but it wasn't something I admitted to myself that I wanted to do, I guess.
I've been very fortunate with injuries: I've had the odd broken bone in my back; when I was starting out here in England, I cracked a few ribs, and I've broken a bone in my hand.
I certainly have a fascination with pop music as a musical form, not necessarily as a lifelong commitment. I guess you could say I'm like a Casanova of music. I can't seem to settle down with one musical form.
I discovered that bone china was a British invention, which had been developed by a pottery sited next to a slaughterhouse - 'bone' china, of course, contains bones, though we are inclined to forget that.
This site uses cookies to ensure you get the best experience. More info...
Got it!