A Quote by Morley Safer

I really feel stateless, which is not bad, because I always felt a man without a country was not encumbered by narrow loyalties. — © Morley Safer
I really feel stateless, which is not bad, because I always felt a man without a country was not encumbered by narrow loyalties.
I was raised by all women. I had no men in my life; it was my mom, my sister, and my grandmother. I've never identified as a man. I've always either felt like a boy or something else. I feel really uncomfortable thinking that, technically, I'm supposed to be a man, because I don't feel like one.
I feel weird without lipstick. Even after the first time I wore a really neon pink or a really bright red, I felt really strange without it there. My lips are a main feature, so I feel naked without them.
No one is born without vices, and he is the best man who is encumbered with the least.
I feel like I'm a New Yorker because I really know the city. I actually tell the drivers where to go - I have this bad habit, I always question the drivers. I do that all the time because I feel like I know the best way, when really it's like, 'Yo, man, shut up. This dude does this every day of his life.'
Stateless people are hidden. During the 2011 refugee crises, it was obvious that people were fleeing Somalia and Libya - there was a lot of international attention. Statelessness goes undetected because stateless people are in legal limbo and are afraid to show up.
I was always the tallest girl in my class, and it made me have really bad posture because I wanted to seem shorter than I really was. It really reflected how I felt about myself. I spent most of my youth in school feeling really insecure about the way I looked because I was different.
For I assure you, without travel, at least for people from the arts and sciences, one is a miserable creature!... A man of mediocre talents always remains mediocre, may he travel or not - but a man of superior talents, which I cannot deny myself to have without being blasphemous, becomes - bad, if he always stays in the same place.
Nature has placed in the front part of man, as he moves, all those parts which when struck cause him to feel pain; and this is felt in the joints of the legs, the forehead and the nose, and has been so devised for the preservation of man, because if such pain were not felt in these limbs they would be destroyed by the many blows they receive.
It created in me a yearning for all that is wide and open and expansive. Something that will never allow me to fit in in my own country, with its narrow towns and narrow roads and narrow kindnesses and narrow reprimands.
I was in school for jazz voice, which is the dumbest way to spend $35,000 a year. I just felt like a rip-off of good jazz singers. I didn't feel like I was being anything special, and I always wanted to be special. It's like you know you have something inside you that's gonna make you different than everybody else and make you somebody in this life, but you wish you could figure out what it is, because at most things, you're either mediocre or really, really bad.
I knew I wanted to play 'Dr Cox' really bad, which is always a huge mistake because as soon as you want something really bad, maybe you rip up a little bit.
I've always been "other." I've always felt odd; I have always felt foreign in the environment I've been in. When you are young, that is a really uncomfortable thing to feel. As an older woman I really embrace it.
If you will remember history correctly, even the Second World War was perpetrated by a stateless actor, by murdering the Prince Rudolf, if you remember. And so is the case with 9/11. It was a stateless actor which has made the world go to war.
I didn't feel that so much as an outsider when I started writing; I've felt that way all my life. I don't know, man; I guess I was just wired wrong. When I was growing up, I always wanted to be somebody else and live somewhere else. I've always felt a little uncomfortable around people. And I'm not trying to romanticize this, because it wasn't romantic. I wasn't trying to be a rebel; I just always felt a little out of it. I think that's why it's pretty easy for me to identify with people living on the margins.
I was so empty. I didn't always feel physically bad. I was able to play, but I wasn't there 100%. I felt I was fighting this strange feeling rather than the opponent; I couldn't really describe what was going on.
You don't like to see your guys take the field without you because it makes you feel like, man, maybe they really don't need me out there, which is kind of humbling.
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