A Quote by Morley Safer
If you want to look at a cheap shot, look at Mr. Koons's or Mr. Gober's art. By no definition is it art.
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There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; second, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelery; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.
There's a theory that nobody believes. That Robert Mueller is Mr. Honest and Mr. Integrity, has no preconceived notion and is really gonna look to find what happened in White House and whatever he finds is what he's gonna tell us. That's the thing that you would associate with Mr. Integrity, with Mr. Honesty, with Mr. Character, is the last thing anybody thinks is gonna happen.
Robert Mueller, as Mr. Honest and as Mr. Sophisticated and as Mr. Integrity, as Mr. Cultured, as Mr. Elite, as Mr. Mannered knows full well there's nothing here, knows that there is no collusion, knows that there is no obstruction of justice, knows that if anybody is working with the Russians, it was not Donald Trump.
Hurricane Sandy interrupted Mr. Romney’s momentum and allowed Mr. Obama to look presidential and bipartisan.
His [Pitt's] successor as prime minister was Mr. Addington, who was a friend of Mr. Pitt, just as Mr. Pitt was a friend of Mr. Addington; but their respective friends were each other's enemies. Mr. Fox, who was Mr. Pitt's enemy (although many of his friends were Mr. Pitt's friends), had always stood uncompromisingly for peace with France and held dangerously liberal opinions; nevertheless, in 1804, Mr. Fox and Mr. Pitt got together to overthrow Mr. Pitt's friend Mr. Addington, who was pushing the war effort with insufficient vigor.
I also got encouragement from my teachers at primary school but one person in particular who had a significant impact on my lean towards art is Mr. Luigi St. Omer. Mr. St. Omer was the one who always reminded me that I should not settle for less than greatness in my art. He saw that I had the potential and he helped me develop that talent.
Mr. Crossley suddenly wondered why he was why he was worrying about the note. It was only a joke, after all. He cleared his throat. Everyone looked up hopefully. 'Somebody,' said Mr. Crossley, 'seems to have sent me a Halloween message.' And he read out the note: 'SOMEONE IN THIS CLASS IS A WITCH.' 6B thought this was splendid news. Hands shot up all over the room like a bed of beansprouts. 'It's me, Mr. Crossley!' 'Mr. Crossley, I'm the witch!' 'Can I be the witch, Mr. Crossley?' 'Me, Mr. Crossley, me, me, me!
Thus Mr. Lawrence, Mr. Douglas and Mr. Joyce partly spoil their books for women readers by their display of self-conscious virility; and Mr. Hemingway, but much less violently, follows suit.
There's a theory with comedy that you shouldn't do anything that's too topical in your specials because people won't be able to watch them in five years. But I look at Trump in the same way I look at Mr. T. I can watch comedy jokes about Mr. T in the '80s and still understand what they're talking about.
I find it very hard to play a part, then take it off like a cheap suit and become Mr Normal - Mr. Nice Guy.
If you want to be successful in the art world you've got to look to the art world; you don't make it for the bloke next door and then hope the art world is going to look at it. That's one of the big mistakes people make.
Can you stand? (Aimee) I’m not helpless. (Fang) Oh, look! Mr. Macho is back in all his glory. Hello, Mr. Macho, it’s so not good to see you again. But you know, Mr. Macho, that you’ve been bedridden to the point that your legs aren’t used to carrying your weight and you’re not really human. So if you want to get up and fall, gods forbid I do anything to stop it. After all, I live for America’s Funniest Home Videos. Should I fetch a camcorder now? (Aimee)
Of course I will look at anything, but I have not got the time or the patience to keep on looking at art that I know could be better. I don't want art that needs fixing, I want art that sends me back to the studio to fix my own.
MR.GOUDY: I believe you testified that you backed away from Aaron Wharton. MR.COGBURN: That is right. MR.GOUDY: You were backing away? MR.COGBURN: Yes sir. He had that ax raised. MR.GOUDY: Which direction were you going? MR.COGBURN: I always go backwards when I am backing up.
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
Don't go looking for Mr. Right. Look for Mr. Right Now.
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