A Quote by Morris Chestnut
This film is what it is. It's a campy thriller horror movie where you go and have fun. With these types of films, you can't take it too seriously. They are what they are.
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A lot of people call horror movies 'campy,' and I can certainly see why they think that they are, but being a product of the 80s, I didn't notice that they were campy - I came from a campy generation. I mean, Ronald Reagan is campy. But I don't think they're campy.
The action movie, the thriller and the drama all have safety nets under them. But not the horror film. The horror film can sink to an abyss far darker than the imagination can ever reach.
Horror films can be of different kinds. But 'Aaviri' is not a horror film. It's a thriller against the backdrop of a family.
I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.
The scariest movie I have ever seen, and my favorite horror film is, 'The Exorcist.' It is a must-see horror/thriller classic. I watch it every couple of years.
I went in right up front and said, This can't be about some guy in bandages. I didn't even want to do a horror movie. I took the concept and made a romantic adventure film. I like action heroes who don't take themselves too seriously. I wanted to make everyone take the mummy seriously, but it couldn't just be a guy in bandages. But the main thing was to build in surprises. That's one of the great things you can do with special effects.
I took it really seriously... as serious as any actor could take a movie . I had so much fun doing movie Dragonball . But I take any part I do seriously because I feel a sense of responsibility to the young kids who have saved their money to go and see a movie. I feel it's my responsibility to make it the best I can, because I don't want to let anyone down.
The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
'Hereditary' is unabashedly a horror film, whereas 'It Comes at Night' was a lot of things: it was a thriller; it was a postapocalyptic drama. It was a slow-building, very dark movie about relationships. 'Hereditary' is also about relationships, and I hope it functions as a vivid family drama, but it is also very much a horror film.
The special thing about 'Lost Girl' is it can be campy at times, but the show doesn't take itself too seriously, which is what separates it from other sci-fi TV shows. I love that.
Here I was, having done a thriller and a horror movie - why did I have the audacity to make a romantic fantasy? How can I continue to make genre films? Well, maybe I don't want to continue to make genre films.
Keep it fun. Don't take it too seriously. At the same time, when you do feel inspired, take it seriously, too.
In some ways, the audience becomes complacent when they go to a horror film. And so it's fun to take that attitude and then to upend it.
I think people need to have fun with whatever they're doing - makeup, their clothes, music, live shows - anything you don't need to take too seriously, don't take too seriously.
I suppose I could be accused of taking acting too seriously and losing the fun of it. I do take my work very seriously; I take on the responsibility of it.
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