A Quote by Morris Chestnut
I think the best type of action movie combines a love story with the action.
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For whatever reason, I think we have one type of animated movie and it's so wrong. I want to do a drama, I want to do an action, a comedy. In live-action, there are all sorts of movies. There's independent movies, big movies, action movies, funny movies, and for us we have one movie.
I'm such an action movie junkie that as an action fan, because action scenes are so heightened, we could never really picture ourselves in that scene. So when you're watching an action movie, you experience an action movie more outside of the aquarium: you know you're out of the aquarium looking in at all the swimming fish that are in there.
I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
I don't think action for action's sake is so fun, but when it helps tell the story, I love doing a good fight scene.
Of course I love the action. I absolutely love doing action movies; it's what makes me tick, but I think my dream role is a movie that Will Smith's company has called 'Paper Wings.'
Action movies live and die by the story that you're trying to tell. It's hard. It's very difficult to do an action movie that stays engaging.
Action films are great, but an action film that has characters that are compelling and a story that people can care about is something even better. We love to see action heroes that are vulnerable, that are sensitive, that are family people, that are accessible.
Doing your best is taking the action because you love it, not because you're expecting a reward. Most people do the exact opposite: They only take action when they expect a reward, and they don't enjoy the action. And that's the reason why they don't do their best.
Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
I'd love to do a really cheap action movie. I'd love to do stunts. I mean, not myself. I'd hurt myself, but I'd love to direct others doing stunts. I think that would be a blast. The funny thing is, if I really think through this fantasy, I know that the way I conceive of doing an action movie would still lose money. No matter how far I think I'm getting away from myself, it always comes back to something that's not terribly commercial.
As a consumer, I love action movies and have a lot of opinions about how action comedies don't really do justice to what I find exciting about an action movie, which is the genuine thrill of watching something that feels really high-stakes. A lot of times, it's played for laughs and action, which waters down the sense of danger.
Then, if action is possible or necessary, you take action or rather right action happens through you. Right action is action that is appropriate to the whole. When the action is accomplished, the alert, spacious stillness remains.
With live-action I think we'd have lost the universal appeal of the Persepolis story. With live-action, it would have turned into a story of 'the Other' - people living in a distant land who don't look like us. It might have been exotic, but also a "Third-World" story.
To have a song work for the movie, it can't just be written apart and shoved in. It's got to come out of the action. It's got to talk about the characters, not the story: it has to augment that action.
I'm very much an action movie type of person. My wife is more of a 'Notebook' type of girl.
It is not sufficient to pray diligently for guidance, but this prayer must be followed by meditation as to the best methods of action and then action itself... because prayers can only be answered through action and if someone's action is wrong, God can use that method of showing the pathway which is right.
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