A Quote by Morris Chestnut
I would never want any of my kids to go into this industry; not until they are old enough to understand and if this is something that they really want to do.
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I really feel all my adult life has been spent in that little black box. If a wonderful part on TV came along I would do it. But I don't want to do a recurring role. It would just be my luck that the thing would be successful. I'm old enough now and also secure enough financially that I really only want to do what I want to do.
They literally have what they would call "a four-quadrant" movie that they could just release at any moment. Parents want to go there, kids want to go there, hipsters want to go there. It's like everyone will want to see it.
Around 2010, I kind of looked up and said, I'm 40 years old. You know, I chose music. I don't have a husband. I don't have any kids. Like, I chose music. So, I had to make a decision. Like, do I want to do something else, or do I want to go from journeyman to master? And I realized, I want to be a really good musician.
When we really want to go for something better, we shall smash the old. Until then, any sort of proposal, or making proposals, is no more than a tiresome game for self-important people.
We live in a society now where the sexual taboo for children has really passed by the wayside. Any nineyear-old can go into a 7-11 and check out the Playmate of the Month, but you don't want your kids to know about death. You don't want your kids to know about disfigurement. You don't want 'em to know about creepy things because it might warp their little minds.
I want my kids to graduate from high school. But that's not enough. I also want them to go to college. Why? Because rich people's kids go to college. And if that's good enough for them, it's good enough for my kids. Because you know what? College graduates don't tend to go to jail as frequently as nongraduates.
What if, tomorrow, my kids want to join the industry and for that matter, any other profession? We want the world and the industry to become a better place for them and us.
What people don't understand is that the underground that existed was created in the early 80s and was thriving throughout the 80s. Until the industry showed up it was a pretty significant network. It was all happening, but the smell of money had not wafted up high enough for the industry. It wasn't really until they came descending on Seattle that things really got out of control.
I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.
I’ve never watched an entire episode of "American Idol." It’s too mean. Why would anyone want to go on a show to be ripped apart? I don’t want to be tough with my singers, but I do want to tell them on "The Voice" that if you really want this, you’ll be kicked when you’re down. You have to be willing to roll with those punches. You have to really want it.
My best friend from up the street, another really tough kid, we'd box every day after school, starting around 6th or 7th grade. We would go in the backyard, and we would slug out. We'd box until we got tired or until somebody quit. Other kids would come over, and they would want to box. Most of the time they didn't fare too well.
The kids are old enough now - I just want to let them be kids. I don't want to comment on them too much. They're at an age where I just want to let them be kids.
...people will go for anything they don't understand if it's got enough hype. They want to be hip, want always to be in on the new thing so they don't look unhip. White people are especially like that, particularly when a black person is doing something they don't understand...That's what I thought was happening when Ornette hit town.
I would never, ever change the formula of what we would do, but what I want to do is go down somewhere really conceptual. Really artistic. Really theme-oriented. But I don't want to push anything.
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
It's so hard to look at someone doing a triple cork when you're 7 years old, and them saying, 'I want to go do that.' It's not really relatable at all. So, if I can somehow make it so kids want to get into snowboarding, that's special.
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