A Quote by Morris Gleitzman

Children know when they are being sold a sanitised version of the world, and I think that's a betrayal of the relationship between author and reader. — © Morris Gleitzman
Children know when they are being sold a sanitised version of the world, and I think that's a betrayal of the relationship between author and reader.
I do think there's a relationship between a book and a reader that's more intimate, in many ways, than the relationship between an audience member and a play - just by the nature of it being an object that you can have in bed with you and that you can keep and page through.
To say that an author is a reader or a reader an author, to see a book as a human being or a human being a book, to describe the world as text or a text as the world, are ways of naming the readers craft.
We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit.
The things I write are for those who are willing to accept a new relationship between the reader and the author.
I know that disavowal is an unusal form of betrayal. From the outside it is impossible to tell if you are disowning someone or simply exercising discretion, being considerate, avoiding embarrassments and sources of irritation. But you, who are doing the disowning, you know what you're doing. And disavowal pulls the underpinnings away from a relationship just as surely as other more flamboyant types of betrayal.
One thing I am certain of, I do not want to be betrayed, but thats quite hard to say casually, at the beginning of a relationship. It’s not a word people use very often, which confuses me, because there are different kinds of infidelity, but betrayal is betrayal wherever you find it. By betrayal, I mean promising to be on your side, and then being on somebody else’s.
The so-called paradoxes of an author, to which a reader takes exception, often exist not in the author's book at all, but rather in the reader's head.
The relationship between reader and characters is very difficult. It is even more peculiar than the relationship between the writer and his characters.
For an author just starting out, you've got to deliver the goods every year or sooner or people will forget you or you will lose momentum. There is a contract that exists between author and reader.
For me, there's no dichotomy between being shy or a performer, because I think it's more a way of slightly presenting a version of things to the world.
an Autobiography is the truest of all books; for while it inevitably consists mainly of extinctions of the truth, shirkings of the truth, partial revealments of the truth, with hardly an instance of plain straight truth, the remorseless truth is there, between the lines, where the author-cat is raking dust upon it which hides from the disinterested spectator neither it nor its smell... the result being that the reader knows the author in spite of his wily diligences.
I think there's a fine line between being so obtuse that you lose the reader completely, which is the intention for some writers, though it isn't mine. I work hard at grounding the world as much as possible in the world we do recognize.
I see a lot of women around me who seem to stop developing as individuals after marriage and children. I don't know what kinds of pressure they're under, but I think it robs the world of 'the older version of Judy or Wendy,' or whomever. It robs the world of the next iteration of them, and I don't think that's right.
And okay, fair enough, but there is this unwritten contract between author and reader and I think not ending your book kind of violates that contract.
The relationship between reader and writer is reciprocal in a way. We co-create each other. We are constantly emerging out of the relationship we have with others.
Reading is dreaming. Reading is entering a world of imagination shared between reader and author. Reading is getting beyond the words to the story or meaning underneath.
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