A Quote by Morris Gleitzman

Boys, particularly, like stories where they can have images in their imagination, where they can go to scary places and experiment with what can happen. — © Morris Gleitzman
Boys, particularly, like stories where they can have images in their imagination, where they can go to scary places and experiment with what can happen.
When so much is left to the listener's imagination, it is bound to be more scary. But our stories are not just to frighten; they are engaged with the things that are really scary like loneliness and madness.
I can write most places. I particularly like writing on trains. Being between places is quite liberating, and looking out of the window, watching a procession of landscapes and random-ish objects, is very good for stories.
In my photographic work I'm generally attracted to places that contain memories, history, atmospheres and stories. I'm interested in the places where people have lived, worked and played. I look for traces of the past, visual fingerprints, evidence of activities - they fire my imagination and connect into my own personal experiences. Using the analogy of the theater, I would say that I like to photograph the empty stage, before or after the performance, even in between acts. I love the atmosphere of anticipation, the feeling in the air that events have happened, or will happen soon.
The deep places in our lives - places of resistance and embrace - are reached only by stories, by images, metaphors and phrases that line out the world differently, apart from our fear and hurt.
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
At first, it was really weird after being a touring stand-up comedian that wears just jeans and a shirt. But now, it's almost like when you go from Clark Kent to Superman: "All right, I've got to go put on a suit and interview Justin Trudeau." It feels like it's part of the process. Oddly enough, I've been in enough places - they sometimes send you to places that are a bit scary - that I know how to run in a suit. Like, run fast.
I've seen a lot of movies that were great and scary, but not particularly fancy in their filmmaking or performance. And they're still scary, and I think a good horror movie should be scary above all things.
I particularly like Alan Moore and Neil Gaiman. Both writers have wit and imagination and the breadth of stories they tell coupled with extraordinary artwork make for fascinating reading.
I spend a lot of time practicing active imagination before I go to sleep. What I'm feeling will manifest as images through active imagination. And then I go to sleep, and those play out even more in my dreams.
What I see as the particularly exciting prospect for writing horror fiction as we go forward is setting stories in more internal landscapes than external ones, mapping out the mind as the home for scary things instead of the house at the end of the lane or lakeside campground or abandoned amusement park.
Opportunities for young girls, like young boys, to go into academies from a young age does happen now in England, but it doesn't happen globally.
If you ever go behind the glass and look at the focus groups that are deciding what you're gonna watch, it's scary. This cross-section of people they just happen to bring in to decide the fate of mankind on television is really scary.
Our old stories happen to be your new stories. The stories that you're seeing as immigrant stories are your grandparents' stories, are your great-grandparents' stories. You just happen to be separated from them a little bit.
I have mostly been terrified of listening to scary stories around a campfire. We camp a lot as a family, and at night my dad would try and tell us scary stories. This made eating s'mores difficult. The story would start with something like... 'and the old man who lived in these woods...' I would then run back into the camper terrified.
I was listening to a lot of hip hop, music like Public Enemy that was about raising consciousness, and I realised I could feed that directly into my work, using images in a way that was a bit like sampling - taking images from diverse places, exploring the contradictions without trying to hide the seams.
I always say there's no more little girls, just boys with breasts. Girls act like boys nowadays. Teenage girls, they go after boys. They're predatory just like boys. My goal is to keep my girls, girls.
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