A Quote by Morris Kline

Psychologically, the teaching of abstractions first is wrong. Indeed, a thorough understanding of the concrete must precede the abstract. — © Morris Kline
Psychologically, the teaching of abstractions first is wrong. Indeed, a thorough understanding of the concrete must precede the abstract.
To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words.
I don't like the word 'abstractions' very much because most people don't think in abstractions. That is too difficult for them. They think in stories. And the best stories are not abstract; they are concrete.
In the abstract conception of universal wrong, all concrete responsibility vanishes.
How badly I want that nameless thing! First there must be an idea, a feeling... Maybe it was an abstract idea that you've got to find a symbol for, or maybe it was a concrete form that you have to simplify or distort to meet your ends, but that starting point must pervade the whole.
My father never permitted anything which I learnt to degenerate into a mere exercise of memory. He strove to make the understanding not only go along with every step of the teaching but...precede it.
Life holds many, many, many mysteries, abstract things we all think about. In a film when things get abstract, some people don't appreciate that and they want to leave the theater. Others love to dream, get lost, try to figure things out. I'm one of those people. I like a film, a story that holds concrete things but also abstractions. So when ideas come along that have those things, I'm falling in love and going to work.
And in this passion for understanding her soul lay close to his; she had him all to herself. But he must be made abstract first.
The loved object is simply one that has shared an experience at the same moment of time, narcissistically; and the desire to be near the beloved object is at first not due to the idea of possessing it, but simply to let the two experiences compare themselves, like reflections in different mirrors. All this may precede the first look, kiss, or touch; precede ambition, pride, or envy; precede the first declarations which mark the turning point—for from here love degenerates into habit, possession, and back to loneliness.
The bourgeoisie, which far surpasses the proletariat in the completeness and irreconcilibility of its class consciousness, is vitally interested in imposing its moral philosophy upon the exploited masses. It is exactly for this purpose that the concrete norms of the bourgeois catechism are concealed under moral abstractions...The appeal to abstract norms is not a disinterested philosophic mistake but a necessary element in the mechanics of class deception.
It is easier to compare concrete things in a fictional story with concrete things in real life than it is to compare abstractions with concrete things in real life (though both are honorable and necessary things to do).
The master-economist must possess a rare combination of gifts. He must reach a high standard in several different directions and must combine talents not often found together. He must be mathematician, historian, statesman, philosopher - in some degree. He must understand symbols and speak in words. He must contemplate the particular in terms of the general, and touch abstract and concrete in the same flight of thought. He must study the present in the light ofthe past for the purposes of the future
Abstract understanding doesn't mean arbitrary sloshing and messing. Abstract art is controlled visual magic based on laws and methodology. Abstraction generally involves implication, suggestion and mystery rather that obvious description. Like a good poem, a good abstraction attacks your feelings before your understanding. Abstraction within realism adds zest and excitement to otherwise dull subject matter. Abstract understanding takes time and patience.
We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.
The past and the future are abstractions without any concrete reality.
Our ideas must agree with realities, be such realities concrete or abstract
When needs and means become abstract in quality, abstraction is also a character of the reciprocal relation of individuals to oneanother. This abstract character, universality, is the character of being recognized and is the moment which makes concrete, i.e. social, the isolated and abstract needs and their ways and means of satisfaction.
This site uses cookies to ensure you get the best experience. More info...
Got it!