A Quote by Mort Sahl
I dare say that if most comedians today, the gifted ones, were to sit down and write, they'd learn more about their craft. But what happens is they get out there before they learn what their viewpoint is, if any.
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We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.
I think that anyone really can write songs, it just takes having an idea and a feeling and chasing it, and you can learn more about it. I think that's why I go to so many sessions. It is a craft that you can learn from other people. I find it to be the most fascinating thing. So I write a lot, yeah!
What I think is the most important thing to learn about any instrument is the basics of music. Learn your ABCs before you write a Hemingway novel.
If I sat down in any room, I'd have as much to learn from anybody in that room as they'd have to learn from me. If I sit down and just really listen and hear who you are and what you have to say, what you fears are, what your ambitions are, and what your vision is, I have just as much to learn from you as you have to learn from me.
In the real estate business you learn more about people, and you learn more about community issues, you learn more about life, you learn more about the impact of government, probably than any other profession that I know of.
When you learn to read and write, it opens up opportunities for you to learn so many other things. When you learn to read, you can then read to learn. And it's the same thing with coding. If you learn to code, you can code to learn. Now some of the things you can learn are sort of obvious. You learn more about how computers work.
Learn your craft. You want to be a doctor or a teacher - it's very important to learn your craft and indulge in it. You have to get involved and learn as much as possible and go for it.
You're headed in the right direction when you realize the customer viewpoint is more important than the company viewpoint. It's more productive to learn from your customers instead of about them.
I can sit in my room and write a song that I think might be a hit. I can sort of make myself do that, and then I'll play it to a friend, and they'll say, 'Oh, that's nice.' But when something happens to me, and I sit down and write a song to get rid of my emotions, they'll turn around and say, 'Wow, that's great.'
The advice that I can give anyone wanting to be in the biz: do all the work, learn your craft. There are no shortcuts. If you stay with it, you will get an opportunity. Whether you make the most of an opportunity depends on if you are prepared. Learn your craft, every aspect of it. Eat it, drink it, sleep it, then when you are the most prepared, you can make the most of it.
A knowledge of craft is not the enemy of creativity. You sit down to write and realize, today's going to be a really unconscious day and I'm going to let it all out. Or, today's going to be analytical. And some days all mixed up.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
I want to learn more about the game as a whole and about the finer points of technique across the line of scrimmage. I want to learn more about coverages and blitzes so I can kind of see the game before it happens.
The manual for WordStar, the most popular word-processing program, is 400 pages thick. To write a novel, you have to read a novel - one that reads like a mystery to most people. They're not going to learn slash q-z any more than they're going to learn Morse code. That is what Macintosh is all about.
I'm thinking of going to programming school. Learn how to sit down at any computer and learn to do anything on it. That's all I have left and have interest in.
If only you’d remember before ever you sit down to write that you’ve been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart’s choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won’t even underline that. It’s too important to be underlined.
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