A Quote by Morten Harket

I'd known since I was 17 that I was going to be a star. It was a strange feeling but a very real one. — © Morten Harket
I'd known since I was 17 that I was going to be a star. It was a strange feeling but a very real one.
I am star-struck but also I've known a lot of people for a long time. Like I'm super star-struck by Grant Lee Phillips and Jon Brion but I've known them for 17 years. So it's kinda like weird to be star-struck still, but I still am!
It's a very weird thing to know where you want to be in life and all of a sudden to actually have taken some real steps is a very strange feeling. I've really done something that I'm proud of.
Balotelli I have known since I gave him his debut at 17.
I said '17 - right now, this year, "'17 is going to be a disaster." I'm very good at this stuff.
When people write fan-fic sequels to one of your books, it gives you a very strange feeling. It is very flattering but strange, as if the characters have come to life again without you knowing.
Man, the feeling of the make is something that I can’t put to words, it’s the very best feeling in the world. I just chase that, it’s a very real feeling and straight up, I am addicted to it.
When I was first in the locker room with The Undertaker and John Cena it was very strange. But it gets to a point that these are going to be guys you are working with you get over that pretty quickly. You can't be star struck.
I've actually apologized to some people I was a real jerk to, because I feel ashamed. I didn't need to be that hungry. There was something going on inside me when I was angry and feeling very threatened and not feeling good about myself.
Real vectoring in space, real orbital mechanics, is very counterintuitive, very strange, and very hard to render. It's expensive, and there's a learning curve. Some of it is about raising audience literacy to the point where they understand that.
I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
When I was about 17 or 18, I finally admitted to myself that I wasn't going to change. I didn't know what the consequences would be, but I had the definite feeling that it was going to wreck my Disney career
When I was about 17 or 18, I finally admitted to myself that I wasn't going to change. I didn't know what the consequences would be, but I had the definite feeling that it was going to wreck my Disney career.
Wrestling is all I've known since I was 17 so it's time I let myself focus on other things and explored other parts of myself.
I've been writing since I came to Nashville when I was 17. I've been blessed to have written with so many of the biggest names around. They took me under their wing and taught me the ways of writing. They saw something special in me, which feels great. Every song on my record is going to be original, and that's just a really cool feeling.
I've known those pieces ever since I was about 16 or 17; I also at that time was taken to meet Charles Ives whom I got to know fairly well. He was the one who wrote a recommendation for me to get into college.
The word had spread and people were piling around us. But then very suddenly, Sonny Liston froze me with that look of his. He said real quiet, 'Let's go on over here.' And he led the way to a table and the people hung back. I ain't going to lie. This was the only time since I have known Sonny Liston that he really scared me.
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