A Quote by Morton Feldman

The composer makes plans, music laughs. — © Morton Feldman
The composer makes plans, music laughs.
Man makes plans . . . and God laughs.
My pieces usually are programmed on concerts in which the other works are standard repertoire. My music always sounds very different when it's on a concert of all contemporary music. It always seems to stick out at an odd angle. This also makes me think of a question I sometimes debate with my friends: does the music of a composer directly reflect that composer's personality? This is a difficult one, but I think it usually does.
I try not to make plans. God always laughs at your plans.
Every composer's music reflects in its subject-matter and in its style the source of the money the composer is living on while writing the music.
I try not to make plans. God always laughs at your plans. I’m going to keep the door open, and keep the page blank, and see what gets painted upon it.
See, as a music composer, I am not competing with any music composer.
Perhaps within the next hundred years, science will perfect a process of thought transference from composer to listener. The composer will sit alone on the concert stage and merely 'think' his idealized conception of his music. Instead of recordings of actual music sound, recordings will carry the brainwaves of the composer directly to the mind of the listener.
Perhaps the chief requirement of [the conductor] is that he be humble before the composer; that he never interpose himself between the music and the audience; that all his efforts, however strenuous or glamorous, be made in the service of the composer's meaning - the music itself, which, after all, is the whole reason for the conductor's existence.
Man plans. God laughs.
When a man plans, a woman laughs.
God laughs at men's plans.
When I'm writing a play I hear it like music. I use the same indications that a composer does for duration. There's a difference, I tell my students, between a semi-colon and a period. A difference in duration. And we have all these wonderful things, we use commas and underlining and all the wonderful punctuation things we can use in the same way a composer uses them in music. And we can indicate, as specifically as a composer, the way we want our piece to sound.
I sit and talk to God, and he just laughs at my plans.
I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
It's really been enlightening for me to work with composers because I used to think that everything in the music was exactly what the composer meant. Well, it's what the composer meant in that moment when they wrote it.
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