A Quote by Morton Feldman
Music is essentially built upon primitive memory structures.
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The classics are only primitive literature. They belong to the same class as primitive machinery and primitive music and primitive medicine.
I think the structures of exclusion are more systematically built up in American society, for example, so that young girls interested in science eventually lose their confidence over time. The structures of exclusion work against them. We have other structures of exclusion in India, but not around modern scientific knowledge.
For we have built into all of us, old blueprints of expectation and response, old structures of oppression and these must be altered at the same time that we alter the living condition which are the result of those structures. For the master's tool will never dismantle the master's house.
That's why we have memory. And the opposite of memory— hope. So things that are gone can still matter. So we can built off our pasts and make future.
I think most religious belief structures are essentially like mind viruses.
A song playing comprises a very specific and vivid set of memory cues. Because the multiple-trace memory models assume that context is encoded along with memory traces, the music that you have listened to at various times of your life is cross-coded with the events of those times. That is, the music is linked to events of the time, and those events are linked to the music.
I'm one of those artists who have the presence and that swag... I was always built for the music, I don't get on cameras and pop sh*t and base it on a whole lot of hype and talk, I was built off my music.
Human physical structures and intellectual structures are generally studied in different ways. The assumption is that physical structures are genetically inherited and intellectual structures are learned. I think that this assumption is wrong. None of these structures is learned. They all grow; they grow in comparable ways; their ultimate forms are heavily dependent on genetic predispositions.
Forelimbs of people, porpoises, bats and horses provide the classic example of homology in most textbooks. They look different, and do different things, but are built of the same bones. No engineer, starting from scratch each time, would have built such disparate structures from the same parts.
Do the structures of language and the structures of reality (by which I mean what actually happens) move along parallel lines? Does reality essentially remain outside language, separate, obdurate, alien, not susceptible to description? Is an accurate and vital correspondence between what is and our perception of it impossible? Or is it that we are obliged to use language only in order to obscure and distort reality -- to distort what happens -- because we fear it?
...the rank and file are usually much more primitive than we imagine. Propaganda must therefore always be essentially simple and repetitious.
Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.
It is useless saying that we do not accept the gods of the primitive world. In form, no; in essence, yes. The fact before us is that all ideas of gods can be traced to the earliest stages of human history.... There is an unbroken line of descent linking the gods of the most primitive peoples to those of modern man. We reject the world of the savage; but we still, in our churches, mosques, synagogues and temples, perpetuate the theories he built upon that world.
We know that if memory is destroyed in one part of the brain, it can be sometimes re-created on a different part of the brain. And once we can unravel that amino chain of chemicals that is responsible for memory, I see no reason why we can't unlock it and, essentially, wipe out what's there.
In some bigger cities, I don't think people really realize these structures were built for the Olympics.
Though the structures and patterns of mathematics reflect the structure of, and resonate in, the human mind every bit as much as do the structures and patterns of music, human beings have developed no mathematical equivalent to a pair of ears. Mathematics can only be "seen" with the "eyes of the mind". It is as if we had no sense of hearing, so that only someone able to sight read music would be able to appreciate its patterns and harmonies.
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