A Quote by Mos Def
I tell people all the time, I've always loved music and I love the language, which is a huge reason why I'm part of theater. But, I didn't wanna do all of this. I would've been satisfied to do it, like, on the weekends among friends, and to have a regular job.
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I've always loved music and I love the language, which is a huge reason why I'm part of theater.
I've never been passionate about just music, I've never seen myself going into music in that sense. My love for music has always been connected to the stories told through music, which is why I was drawn to theater and why I think 'Glee' is so powerful.
And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends have been evasive about it, at the time.
Now, part of the problem with the climate debate is that so much gas board language like that [the IPCC's language] has been used and there's been too little plain, scientific, and economic thinking. And so, the entire political class has been captured by an idea, which as always with the best bad ideas has a grain of truth in it, which is then exaggerated beyond all reason. This has happened before - one thinks of the Dreyfus case, for instance.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
It is certainly true that cooking is therapeutic, creative and all those other faintly creepy self-helpish words. I would love to tell you that learning to cook was part of my journey toward actualization. I would love to tell Oprah this. I would love to tell Oprah this while weeping. But I learned to cook for a much simpler reason: in the abject hope that people would spend time with me if I put good things in their mouth. It is, in other words (like practically everything else I do), a function of my desperation for emotional connection and acclaim.
I never went through a period where I didn't want to play music. I've always loved it and it's always been a huge part of my life.
So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?
Love, it has been said, flows downward. The love of parents for their children has always been far more powerful than that of children for their parents; and who among the sons of men ever loved God with a thousandth part of the love which God has manifested to us?
I tell ya, if I hadn't chosen the career of being a performer, I think linguistics would have been a natural area that I'd have loved - to teach it, probably, Language has always fascinated me. There's a genetic inheritance there a good language gene, which I inherited [from my mother and grandfather] and she fostered that in me as he fostered that in her.
I've always loved so many different things about social media and music and art and fashion. I always loved it. But I've been too scared to jump into it, knowing that people would be upset about it. So that's why I hid from it. And now, I'm not afraid to be myself.
I've never been the guy to go for the celebrity girl. I've always liked regular girls, regular people, because I've always viewed myself as a regular person who just happens to be gifted in music.
When I was, like, 4 or 5, I'd just always tell - my mom would ask me what I wanted to be when I got older. And I would just be like, 'I wanna be Kobe.' She'd be like, 'You wanna be in the NBA?' 'No, like, I wanna be Kobe.'
As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
I know for me, music was the best drug for anxiety. So that's why I wanted to write the music that I do, because it always suits my anxiety. It's a huge part of my life, and being able to make music that can help people with their anxiety is a huge thing for me.
Stand-up comedy - I love this job, and I gotta tell you, folks - knock wood - it's been working. 'Cause I was one of those kind of people, even when I had a regular job, I couldn't even call in sick right. You know, I was like, 'Hello? Yeah, I can't come in today. I have scurvy.
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