A Quote by Mos Def

I'm a passionate person. I'm a lot of things, like most people are. Most people are dynamic. The focus is not on me though, I'm a screen. The aim is to always keep myself in the position where the screen is clear.
I mean I think people prepared me for like a lot of green screen [in Oz the Great]. I didn't have a lot of green screen. They build most sets. When this castle was tangible, Emerald City was tangible, the forest, the woods was tangible, the cemetery, everything was there.
You are the Golden Witnessing Screen. Meditation is the effortless effort to keep that screen clean, clear and perfect.
I admire some of the people on the screen today, but most of them look like everybody else. In our day we had individuality. Pictures were more sophisticated. All this nudity is too excessive and it is getting very boring. It will be a shame if it upsets people so much that it brings on the need for censorship. I hate censorship. In the cinema there's no mystery. No privacy. And no sex, either. Most of the sex I've seen on the screen looks like an expression of hostility towards sex.
I've had people ask me: 'How can you make a movie about a murderer? A terrorist?' What they don't understand is that I'm in support of everyone who appears on screen. I have to be. I take the position of everyone who's on screen. I'm not judging them one way or another.
The Real is ever-present, like the screen on which the cinematographic pictures move. While the picture appears on it, the screen remains invisible. Stop the picture, and the screen will become clear. All thoughts and events are merely pictures moving on the screen of Pure Consciousness, which alone is real.
I always felt like something of an outsider. But I identified with people up on the screen. That made me feel like I wanted to be up on the screen too. I felt like eventually I would get there.
When people see me as Gavaskar on screen, I want them to feel that they are looking at the person that they have known and when I play on screen, it should remind them of how he played.
If you would have met me when I first started wrestling - or even five, six, seven, eight years into wrestling - you wouldn't be like "This person is a dynamic personality on the screen." That would have never happened. That's something that's evolved. You just keep putting yourself out there and you keep working at that sort of thing and you can get better at it.
Ultimately, though, it's living people that frighten me the most. It's always seemed to me that nothing could be scarier than a person, because as dreadful places can be, they're still just places; and no matter how awful ghosts might seem, they're just dead people. I always thought that the most terrifying things anyone could ever think up were the things living people came up with.
Most filmmakers looked at it as a medium to palm off sub-standard stuff. I don't look at it like that. Your TV screen, mobile screen is as relevant as a cinema hall.
People don't stop me on the street and throw things at me. But I'm aware of what that dynamic is, so whenever people react strongly to a character and say that they hate me, I take it as a job well done. And for most people, there's a sense of removal. Most people are not saying, "Oh, my god, I hate you!" Most people that have reactions say, "I love to hate your character."
My idea of a good picture is one that's in focus and of a famous person. People are only glamorous if you don't see them. Like the movies used to make people years ago. There is something about people on screen that makes them so special; when you see them in person, they are so different and the whole illusion is gone.
What annoys me most is it is so easy to focus on negatives all the time. All you hear is a lot of people - whether it is industry leaders or politicians - complaining about everything. I don't deny things are not always perfect, but the stage it gets is huge compared with the simple things that make people happy, like winning a football match.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
You could have the biggest screen, you could have the clearest screen. But if there is not great content on this thing, that big-screen TV is not a huge value to you, even though it has the best picture on the planet.
One of my favorite things to do is not to speak on screen. In theater it's different because there's a lot of emphasis on language - it's a different medium. But that is one of the most wonderful things about film. A person's face can say so much more than their voice can.
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