A Quote by Mos Def
I just don't think it's very dignified to ask people to like you. You can just wind up being somebody's ottoman.
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I'm very superstitious about going on other people's sets. You have to ask permission of the director; you shouldn't just turn up and skulk about in the background. It's very rude. You have to ask them personally. It's like a vampire being invited into a house.
The process of just being in front of people, having to stand up for your ideas, and ask - and then ask people for money, which is a very hard thing to do.
To be honest, at that point, just being so fresh to L.A., I was in the mind-set of just getting work, at all costs. But, if you take a step back from it, it's just such a blessing to be able to play somebody like Glenn. Me being Asian American, it's nice to have something to play that's not so very stereotypical. It's also nice to have somebody that I identify with.
Well, let's take what people think is a dignified death. Christ - was that a dignified death? Do you think it's dignified to hang from wood with nails through your hands and feet bleeding, hang for three or four days slowly dying, with people jabbing spears into your side, and people jeering you? Do you think that's dignified? Not by a long shot. Had Christ died in my van with people around Him who loved Him, the way it was, it would be far more dignified. In my rusty van.
There's always been something about Jeffrey Tambor, not only as an actor but as a person, where his ability to embody a sort of very dignified feminine way of being just - this was just very clear to me.
Film just chews up actors like nobody's business, and I'm not particularly interested in being chewed up. I think the camera can only look at somebody's face for so long. I guess you have to accept the roles you think are right at the time. You can build a career, but these days there doesn't seem to be that much interest in people being actors.
I learned a lot about Ottoman court, and it was very Shakespearian in essence. Stories like the one in 'Hamlet' did happen several times in the 500 years of Ottoman history.
If we are all strong, stable, we can set our sail with any wind in the world that comes along. We make up our own direction. If we are not strong, we are like a leaf in the wind and the world's winds will take us where they wish, not where we wish. So we meditate, every day, regularly, and gain transcendental being in our everyday life and then we are strong. When we are all infused with Being, we need not think which course is right, we just take the one that is automatically. Being is the wind-resister and the sail-setter.
I have the confidence that I can take anybody and have them give a good performance, because I don't think there's anything to acting except expressing, being able to converse. So if I can just convince somebody not to clean themselves up, and not to be someone that they're not, and just be what they are in given circumstances, that's all that acting is to me, and I don't think it's very difficult.
Most women writers don't interest me because they're hung up with being a woman, they're hung up with being Jewish, they're hung up with being somebody or other. Rather than just going, just spurting, just creating.
Earlier in my career I just thought "I'm not very confident, I don't like singing to people." But people had some faith in me, and here we are. Sometimes I think "Oh maybe I should just be a backing singer." But I've got an amazing team of people who tell me to shut up when I'm like "Oh god, I can't do it." But now, I can't really imagine it being the other way.
Just imagine becoming the way you used to be as a very young child, before you understood the meaning of any word, before opinions took over your mind. The real you is loving, joyful, and free. The real you is just like a flower, just like the wind, just like the ocean, just like the sun.
I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that. And it's just anathema to being a writer. It's not healthy.
There is this fallacy of the 'cool' comedian out there. You see the guys who take themselves very seriously and think they're being very suave and sardonic. But they're just jesters like the rest of us; they're just goons like we all are. The job is to make people laugh.
There was a guy with mental illness in the middle of the street just yelling and hollering. I have a number that I can call - it's not 911 - to tell them, "You need to help this man get out of the street." But you have to be that person, you have to pick up the phone, you have to do it; you can't just walk by and act like they're not people. They're somebody's kid, somebody's dad, somebody's brother.
Like wind-- In it, with it, of it. Of it just like a sail, so light and strong that, even when it is bent flat, it gathers all the power of the wind without hampering its course. Like light-- In light, lit through by light, transformed into light. Like the lens which disappears in the light it focuses. Like wind. Like light. Just this--on these expanses, on these heights.
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