A Quote by Moshe Kasher

When I first started comedy, me and my friends were kids. I claim - although I know that it's a spurious and probably untrue claim - that we were the first generation of kids to act black.
When I first started comedy, me and my friends were kids.
I went to a public high school and most of the comedy was coming from the black kids and the Asian kids and the Hispanic kids. And, the coolest kids to me where always the black kids. They were always fashion forward and they always dressed the coolest. They were always the best dancers, and just the coolest people.
If you look at the beginning of children's entertainment in literature, the first books that were written for kids were cautionary tales. They were books that were there to teach kids about growing up and how to live life.
A lot of my friends were a lot into theatre a lot earlier than I was. A lot of my friends were kids who were in The Broadway Kids and the kids auditioning for Gavroche in 'Les Miz.' I was never that kid. I was weaned on Michael Jackson. Not literally, because that would have been odd.
I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.
I remember really bonding with the first generation kids, the Chinese Canadian kids, and in high school bonding with the Latin kids and the East Indian kids. It was very interesting because it made me open to lots of musical sounds.
My parents were decent, aspirant first-generation middle class. They read 'Reader's Digest', listened to classical music; my grandparents had a bust of Stalin on the mantelpiece. The kids of that generation were terrified of being below par, class-wise.
I never claim my photographs reveal some definitive truth. I claim that this is what I saw and felt about the subject at the time the pictures were made. That's all that any photographer can claim. I do not know any great photographer who would presume otherwise.
If lawyers were to undertake no causes till they were sure they were just, a man might be precluded altogether from a trial of his claim, though, were it judicially examined, it might be found a very just claim.
How can you claim infallibility and claim that in these 114 [drone] strikes there was just one mistake -- one person killed that was a civilian -- and at the same time say, 'Well, we don't really know how many people were killed or who they were, but we know they weren't civilians'? I don't know how you can do that.
I used to go to the school plays my kids were in, and who were the angels at Christmas time? The blonde, blue-eyed girls. Who was Mary? And the shepherds were all the black and Indian kids in the background.
In college, I didn't know whether to hang out with the black kids or the white kids, and then I found the theatre kids, and I was like, 'Oh, it doesn't matter.' We were all weird and listening to Morrissey and wearing Doc Martens so that was my tribe.
Kids that I went to school with didn't know how to interact with black people like that. There were only, like, three or four black kids in the class.
One day. my kids are gonna be like, 'What do you mean, gay people couldn't get married?' Just like most of my friends are black, and I find it hard to believe that my great-grandmother and even my grandmother couldn't hang out with black kids when they were young.
My two boys were the same ages as the kids in the show. In real life or in between the breaks I was raising two kids off camera who were not unlike the two kids who were being paid to be my kids.
When I think back, I felt like I had the life that a lot of white American kids grew up with in the suburbs in the States. I started noticing, as Apartheid's grip weakened, that we had more and more black kids at school; I had more and more black friends. But I never really saw a separation between myself and the black kids at school.
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