A Quote by Moshe Safdie
My identity is always at the forefront, and I also think that every article that is written about me refers to me as an Israeli architect.
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I've written for 'The Times' because they have valued what I do enough to pay me. The 'New Statesman' magazine also asked me to write an article, but they didn't want to pay me anything. To me, that shows how much they value quality journalism.
I read the 'Fargo' hashtag and what people tweeted at me and every article and every comment on every article. I really just ate it up. But I wasn't prepared for hearing what everybody thought of me.
I think Roger Rasheed is helping me to be more serious. Also, he can convey his passion for tennis. He loves the game. Also he's enthusiastic about everything, about tactics, about what is happening on the court, and also physically he's really pushing me. He wants me to do my best every day.
In a way, I'd rather go into an interview and be disliked, and have unpleasant things written about me, than to have a wonderful, glowing article written that is in no way a reflection of who I am.
If there's a group of articles written about me, I can usually tell the difference if someone's writing an article and they know me from someone who doesn't know me. They're usually very different.
I definitely have a strong sense of my Jewish and Israeli identity. I did my two year military service, I was brought up in a very Jewish, Israeli family environment, so of course my heritage is very important to me. I want people to have a good impression of Israel. I don't feel like I'm an ambassador for my country, but I do talk about Israel a lot - I enjoy telling people about where I come from and my religion.
It was tricky [to write about Israelis], because everyone has an opinion about the Arab - Israeli conflict, and when I first started writing these stories, I was working for an Arab - Israeli human rights group. It was during the Second Intifada. It was this totally violent and intense time, and I think there's a part of me where I don't know how to write about that situation without getting my politics out of my messages, and that's something that was important for me not to do in this book.
I definitely have a strong sense of my Jewish and Israeli identity. I did my two-year military service; I was brought up in a very Jewish, Israeli family environment, so of course my heritage is very important to me.
Every time an article is written about me or any of my contemporaries who's had the fortune and discipline to look good at a certain age, I am struck by the tone of astonishment, and the certainty that something is being done secretively to beat the devil.
What is also strange to me is that public libraries have always been in the forefront of opposing censorship.
What does it mean to be an American today? The question of that is always pointing at now. It allows someone to say what lens that will be through. A lot of my work has been about identity in different ways. Part of that for me falls into the question of gender identity certainly but also about what it means to be an American theater artist.
I gathered as much reading material about Aung San Suu Kyi and about Burma as I could. And I read every article and every book she had written. I also had 200 hours of footage of her to watch. I tried to discover who were her heroes and where he desire and strength to pursue democracy in a non-violent fashion came from.
I kinda always felt like I am out, for all intents and purposes. So I always came from the standpoint of, 'Why does writing it in an article or saying it in an article make me gay?' That doesn't make me gay or not. I'm living my life. I'm not lying; I don't hide it.
Why would one's identity be a matter of feelings? I think that that's a misuse of terms, philosophically. Identity is mind independent. It's something that is objective, regardless of how you feel. So, the term gender identity seems to me to be something of an oxymoron. It's not really about one's identity. It's rather a matter of one's self-perception or one's feelings about oneself.
The difference between a builder and an architect is that an architect also cares about desire, about dreams.
Loki has been written as bi, he's also been written as pan, and it just felt like this is a show about his identity, so let's acknowledge it and make it canon.
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