A Quote by Moshe Safdie
Countries and places have a history, a story, and a culture.
Related Quotes
When you go visiting countries, you start reading the history of the place and you start getting into the culture, and then you have to leave. In my experience, all countries have hidden treasures.
If people are eating mostly pickles after many generations, where did that come from? It's reflective of history, often a painful history. It's central to a culture, to a history, to a personal story. It's communication at its most fundamental.
They [some countries] borrowed money to go acquire things, Indian power plants and Danish newspapers and British soccer teams. And they did it willy-nilly, and they themselves a story, that Icelandic history and culture and DNA leaves us very well-suited to being investment bankers.
'Air' is very placeless - it's set in many different countries, and much of the story is about going places rather than being places. 'Air' is about travelers, and I'm a chronic traveler.
It seemed [there are] musical nodes on the planet where cultures meet and mix, sometimes as a result of unfortunate circumstances, like slavery or something else, in places like New Orleans and Havana and Brazil. And those are places where the European culture and indigenous culture and African culture all met and lived together, and some new kind of culture and especially music came out of that.
Culture is the most potent method of adaptation that has emerged in the evolutionary history of the living world. - Theodosius Dobzhanksky...the 'facts' of culture history are interpretations based upon assumed culture process.
The language of the culture also reflects the stories of the culture. One word or simple phrasal labels often describe the story adequately enough in what we have termed culturally common stories. To some extent, the stories of a culture are observable by inspecting the vocabulary of that culture. Often entire stories are embodied in one very culture-specific word. The story words unique to a culture reveal cultural differences.
One of the things I recognized early on, doing whatever studies of black history I have, is that even though black folks were transported as slaves, into servitude, when they were carried out of Africa they left empty-handed, but they didn't leave empty-headed. They carried with them the culture they knew, the culture they had, and that culture reconstituted itself in all the places they went.
There are all kinds of strange threads in American culture, and places where sympathy is extended and places where it isn't, and places where outrage is extended and places where it's not. It's this constantly shifting barrel of eels.
The Hispanic culture is finding its way into the American culture. Places like Miami are going to be centers for that influence - places like Los Angeles and, certainly, cities in Texas.
I think one of the reasons anti-immigration state laws start to happen is they happen in states where there is an enormous influx. In these places, the dominant culture, the Anglo culture has held sway for such a very, very long time. Now, they are living in another culture, another language. They fear losing dominance and control. It is sadly human nature to find a group to scapegoat. This happens throughout man's history.
By a quirk of culture and history, it could be that China has arrived today where many other 'more developed countries' will arrive tomorrow.
You cannot build a cultural identity without the images and sounds of your culture. Most countries in the third world - poor countries - they've lost their memories. Because everyday, films and cultural artifacts disappear. Film is also a memory - of the character and imagination of a culture.
I write characters focusing on them as human beings, and then you wrap them within a culture. So I think I can connect with him as a person with brown skin who's viewed differently by the world. In terms of his culture, we're thinking about where we are locating Wakanda within the continent, and what the people and history of that region are like. It's a process of investigation to help inform the story at this point. But we are going to be engaged with consultants who are experts on the continent and on African history and politics.
In the Afghan people, I found the most resilient, welcoming people who, for the first time in my career, never judged me over my right to tell this story - as a woman or a foreigner. A people who cherish their culture and history and the films that have captured that culture.
In our country and in our times no man is worthy the honored name of statesman who does not include the highest practicable education of the people in all his plans of administration. He may have eloquence, he may have a knowledge of all history, diplomacy, jurisprudence; and by these he might claim, in other countries, the elevated rank of a statesman: but unless he speaks, plans, labors, at all times and in all places, for the culture and edification of the whole people, he is not, he cannot be, an American statesman.
Related Authors
Arthur Erickson Quotes
Canadian
Architect
Frank Gehry Quotes
American
Architect
Frank Lloyd Wright Quotes
American
Architect
Ludwig Mies van der Rohe Quotes
American
Architect
Ma Yansong Quotes
Chinese
Architect
Maya Lin Quotes
American
Architect
Neri Oxman Quotes
American
Architect
Norton Juster Quotes
American
Architect
Philip Johnson Quotes
American
Architect
Rem Koolhaas Quotes
Dutch
Architect
Richard Rogers Quotes
British
Architect
Santiago Calatrava Quotes
Spanish
Architect
Tadao Ando Quotes
Japanese
Architect
Thom Mayne Quotes
American
Architect
Walter Gropius Quotes
German
Architect
Zaha Hadid Quotes
British
Architect