A Quote by Moshe Safdie
I think the general public's response to my projects is very strong. You can be an intellectual and say that popularity detracts from architectural quality. On the other hand, you can see in the public's identification something very positive.
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I can say with absolute confidence that the general public of Burma would be very little affected, if at all, by sanctions. So far, the kind of investments that have come in have benefited the public very little indeed. If you have been in Burma long enough, you will be aware of the fact that a small elite has developed that is extremely wealthy. Perhaps they would be affected, but my concern is not with them but with the general public.
As an elected official, I live a very public life. That elected figures live under something of a microscope is perhaps a necessary condition for an informed public, and yet, even as a public official, I maintain very personal documents that are not intended for public view.
All buildings, large or small, public or private, have a public face, a facade; they therefore, without exception, have a positive or negative effect on the quality of the public realm, enriching or impoverishing it in a lasting and radical manner. The architecture of the city and public space is a matter of common concern to the same degree as laws and language—they are the foundation of civility and civilisation.
When someone has a very urgent response, I think it just means that it's triggering something in them that they may not necessarily want to think or talk about - which I see as a positive thing.
I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.
Well, I try not to think about the general public since I have no idea what the general public is and I don't think anybody does.
The Ricky that the public see, whether it be on screen as a character, in public, or on social media, is very outgoing, and I'm a bit of a class clown. Then those who are closest to me know that I can be very sensitive. I can be quite insecure about myself.
A society - any society - is defined as a set of mutual benefits and duties embodied most visibly in public institutions: public schools, public libraries, public transportation, public hospitals, public parks, public museums, public recreation, public universities, and so on.
In the U.S., the term 'general aviation' means its exact opposite, the way 'public school' does in England. An English public school is private and, on top of that, exclusive. Likewise, general-aviation airports in the U.S. are for everyone but the general public.
I do want to be involved in quality projects that say something positive about the Latino community.
One of the things about the modern world is that the public and the private - which is not the same as the public and the personal - but the public and the private... it's very, very much harder than it used to be to have things that are private and things that are public.
In a progressively privatised city, the defence of public space, the production of new public space, and saving what is public really for the public is very important.
I think whatever is going on with my brain, I'm very, very - and I'm not saying this as a positive thing, it's just a fact - I'm very creative. I have a very strong imagination, and have since I was a little kid. That is where a lot of my world comes from. It's like I'm off somewhere else. And I can have a problem in life because of that, because I'm always off in some other world thinking about something else. It's constant.
The success of Revamp is clear. We've sold a lot of albums, we've done very good tours, and wherever we play, we get a very positive response, and that's something that would be very nice to keep.
Trying to be a sort of intellectual in the public arena is very irritating to people. They think, 'Why is this bugger on television?'
I feel like we're looked at as either completely nonsexual characters or overly sexual characters, and I feel like that affects how we're treated in the public space by men. I believe that women of color experience street harassment in a very hyper way. So I wanted to draw these women in their very normal, regular states and put those images out there in the public for people to see, instead of these other, very sexualized, images of women.
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